Special offer. Wagner: Götterdämmerung
Kirsten Flagstad (Brünnhilde), Set Svanholm (Siegfried), Egil Nordsjø (Hagen), Per Gronnenberg (Alberich), Ingrid Bjoner (Gutrune/Dritte Norn), Eva Gustavson (Erste Norn), Waldemar Johnsen (Gunther), Unni Bugge-Hanssen (Woglinde), Karen Flagstad (Wellgunde/Zweite Norn), Beate Asserson (Flosshilde)
Oslo...
this is the ultimate 'A for effort' performance. It remained, for nearly a decade, the only way of hearing much of Gotterdammerung on the gramophone and remains, for that reason, an important...
Special offer. Wagner: Götterdämmerung
Kirsten Flagstad (Brünnhilde), Set Svanholm (Siegfried), Egil Nordsjø (Hagen), Per Gronnenberg (Alberich), Ingrid Bjoner (Gutrune/Dritte Norn), Eva Gustavson (Erste Norn), Waldemar Johnsen (Gunther), Unni Bugge-Hanssen (Woglinde), Karen Flagstad (Wellgunde/Zweite Norn), Beate Asserson (Flosshilde)
Oslo...
Purchase product
this is the ultimate 'A for effort' performance. It remained, for nearly a decade, the only way of hearing much of Gotterdammerung on the gramophone and remains, for that reason, an important...
About
Mark Obert-Thorn, reissue producer and restoration engineer
In January 1956 Norwegian Radio broadcast an almost complete performance of Götterdämmerung starring Kirsten Flagstad and Set Svanholm, and conducted by Øivin Fjeldstad. Despite opportunities to re-record the work in Vienna, Flagstad was insistent that this performance be released. Most of the missing sections were then recorded, and the resultant LP was the first (almost complete) commercial recording of the work on disc.
Flagstad, the great Wagnerian, is in resplendent voice and Svanholm proves a worthy partner. This elusive set remains a milestone in Wagner performance.
Artists
Kirsten Flagstad (Brünnhilde), Set Svanholm (Siegfried), Egil Nordsjø (Hagen), Per Gronnenberg (Alberich), Ingrid Bjoner (Gutrune/Dritte Norn), Eva Gustavson (Erste Norn), Waldemar Johnsen (Gunther), Unni Bugge-Hanssen (Woglinde), Karen Flagstad (Wellgunde/Zweite Norn), Beate Asserson (Flosshilde)
Oslo Philharmonic Orchestra & Norwegian State Radio Orchestra, Øivin Fjeldstad
Contents and tracklist
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
- Kirsten Flagstad, Ingrid Bjoner, Unni Bugge-Hanssen, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Set Svanholm, Waldemar Johnsen, Per Gronnberg, Egil Nordsjo
- Studio chorus, Oslo-Filharmonien, Norwegian State Radio Orchestra
- Øivin Fjeldstad
Awards and reviews
July 2012
this is the ultimate 'A for effort' performance. It remained, for nearly a decade, the only way of hearing much of Gotterdammerung on the gramophone and remains, for that reason, an important historical curio. You will not hear it better than in this new transfer.
June 2012
the famous aureate amplitude of [Flagstad's] voice is still very much in evidence at certain points and there are frequent glimmers of the old majesty. One is still conscious of the sheer size of the voice even when the tone is a little curdled...The conducting is unexpectedly first-rate. This is alternately driven and sensitive, by a conductor of whom most of us will never have heard, Øivin Fjeldstad.