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Andrew Schultz: Orchestral Works

Jennifer Pike (violin)

Tasmanian Symphony Orchestra, Richard Mills

Andrew Schultz: Orchestral Works
Schultz's magnetic pull is towards the pensive, steadily glowing and leaning towards the whisper

Andrew Schultz: Orchestral Works

Jennifer Pike (violin)

Tasmanian Symphony Orchestra, Richard Mills

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$11.50

320 kbps, MP3

$8.25

No digital booklet included

Schultz's magnetic pull is towards the pensive, steadily glowing and leaning towards the whisper

About

"Endling" was commissioned for the Tasmanian Symphony Orchestra and describes the ‘last surviving individual of a species or plant’. The Violin Concerto features the 2002 BBC Young Musician of the Year, Jennifer Pike. There is an article on her in the March issue of Classic FM Magazine. The works are a synthesis of Schultz’s approach, bittersweet and lyrical with moments of soaring splendour.

"Rarely does a contemporary piece stand out in an orchestral concert, and even more rarely one by an Australian composer. Andrew Schultz’s Endling (2007) emanates from a deeply disturbing concept – the last survivor of any living species, flora and fauna. After that, extinction. With a full body of strings, two horns and timpani, Schultz has created a beautiful, deeply thoughtful reflection, via simple motifs, restrained dynamics, small gestures and an ending, horns alone, that lingered long…Foyer chat is usually about the concerto soloist. This time, people wanted to talk about Endling.” Adelaide Advertiser on a live performance

Contents and tracklist

1. Chorale: Expansive
Track length13:20
2. Dances: Fast And Vibrant
Track length20:36

Awards and reviews

Schultz's magnetic pull is towards the pensive, steadily glowing and leaning towards the whisper

Music Forum October 2013

To my ears, this is a composer unafraid to speak in any manner (tonal or otherwise) which serves his expressive purpose, utilising extended time-scales and manipulating instrumental colour and technique to good effect. An accomplished clarinettist, Schultz seems to be especially confident writing for winds, as well as brass and percussion, and this recording will help to ensure his place as one of Australia’s most distinguished creators. The recorded sound is ambient, the performances impressive, the packaging attractive, and the annotations informative. Above all, this is music which comes across as honest, compassionate, dignified and accessible: one of the most convincing of the entire series. Highly recommended.
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