Mazzocchi, D: La Catena D’Adone
Scherzi Musicali, Nicolas Achten
Haute-contre Reinoud Van Mechelen's top register is impressively sweet in Adones first monologue...and the incantation scene between the desperate sorceress and unhelpful Pluto in Act 4 is compelling...
Mazzocchi, D: La Catena D’Adone
Scherzi Musicali, Nicolas Achten
Purchase product
Haute-contre Reinoud Van Mechelen's top register is impressively sweet in Adones first monologue...and the incantation scene between the desperate sorceress and unhelpful Pluto in Act 4 is compelling...
About
La Catena d’Adone was first performed in 1626 and marked the arrival of opera in Rome. With all the characteristics of the genre, a pastoral tale in one prologue and five acts, it chronicles the tumultuous love lives of Adonis, Apollo, Venus and Falsirena… Its frivolous and sensual, why even erotic tone, is placed in sharp contrast with Christian morality in a perfectly mastered Recitarcantando style supported here by a wealth of instruments.
This opera whose mark on the early baroque period was immense, here appears for the first time on a recording. This disc is also important in the catalogue of Alpha as it inaugurates the arrival of a very young conductor, who is also a director, singer and player of theorbo, harpsichord and harp, and follows the path set by great musical pioneers such as Vincent Dumestre and Pablo Valetti.
Contents and tracklist
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
- Scherzi Musicali, Nicolas Achten
Awards and reviews
October 2012
Haute-contre Reinoud Van Mechelen's top register is impressively sweet in Adones first monologue...and the incantation scene between the desperate sorceress and unhelpful Pluto in Act 4 is compelling in its supernatural darkness and emotional bitterness.
26th April 2012
La Catena d'Adone shows some debt to Monteverdi, but its declamatory style owes more to the Florentine intermedi of the end of the 16th century...The singers and instrumentalists of Scherzi Musicali have worked hard to master this nuanced, flexible style; the eight singers double roles as well as forming the chorus, and accompaniments are touched in tactfully. It's presented with great care, even if its significance seems more historical than musical.