Special offer. Ib Nørholm: Tavole per Orfeo
World Première Recording
Else Torp (soprano), Per Pålsson (guitar) & Mathias Friis-Hansen (percussion)
the composer could hardly wish for more elegant interpreters. Inevitably, Else Torp takes centre stage. In the more modernist pieces her straight tone allows for admirable clarity, while the...
Special offer. Ib Nørholm: Tavole per Orfeo
World Première Recording
Else Torp (soprano), Per Pålsson (guitar) & Mathias Friis-Hansen (percussion)
Purchase product
the composer could hardly wish for more elegant interpreters. Inevitably, Else Torp takes centre stage. In the more modernist pieces her straight tone allows for admirable clarity, while the...
About
Composer Ib Nørholm (b. 1931) presents us with a delightful twist on Danish nocturne and condensed music drama for two in Tavole per Orfeo. This world première recording by soprano Else Torp and guitarist Per Pålsson unfolds as a fascinating testimony to an inspired encounter between words and music and a meeting of strong artistic personalities. Else Torp has performed with a selection of renowned orchestras and is a core member of Paul Hillier’s Theatre of Voices.
Contents and tracklist
- Else Torp, Per Pålsson, Mathias Friis-Hansen
- Recorded: 7, 8, 10, 19 February, 4 March 2011
- Recording Venue: Garnisons Kirke, Denmark
- Per Pålsson, Else Torp
- Recorded: 7, 8, 10, 19 February, 4 March 2011
- Recording Venue: Garnisons Kirke, Denmark
- Else Torp, Per Pålsson
- Recorded: 7, 8, 10, 19 February, 4 March 2011
- Recording Venue: Garnisons Kirke, Denmark
III. Eurydice spotter klippernes dans till Orfeus' sang (Eurydice Mocking the Rocks Dancing to Orpheus Song)
Track length5:12
- Per Pålsson, Else Torp
- Recorded: 7, 8, 10, 19 February, 4 March 2011
- Recording Venue: Garnisons Kirke, Denmark
- Else Torp, Per Pålsson
- Recorded: 7, 8, 10, 19 February, 4 March 2011
- Recording Venue: Garnisons Kirke, Denmark
Awards and reviews
May 2012
the composer could hardly wish for more elegant interpreters. Inevitably, Else Torp takes centre stage. In the more modernist pieces her straight tone allows for admirable clarity, while the tonal ones admit of judicious vibrato.