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Special offer. Pēteris Vasks: Plainscapes

Sandis Šteinbergs (violin) & Guna Āboltiņa (cello), Jānis Kokins (percussion)

Latvian Radio Choir, Sigvards Kļava

Pēteris Vasks: Plainscapes
this, the second volume from Ondine, focuses on superb performances by the Latvian Radio Choir of the secular side of his trance-inducing, largely homophonic four-part compositions, regarded...

Special offer. Pēteris Vasks: Plainscapes

Sandis Šteinbergs (violin) & Guna Āboltiņa (cello), Jānis Kokins (percussion)

Latvian Radio Choir, Sigvards Kļava

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
this, the second volume from Ondine, focuses on superb performances by the Latvian Radio Choir of the secular side of his trance-inducing, largely homophonic four-part compositions, regarded...

About

This CD presents a cross section of a cappella choral works by Cannes Classical-awarded composer Pēteris Vasks (b. 1946), performed by the acclaimed Latvian Radio Choir under the direction of Sigvards Kļava.

Following on from their successful recording of liturgical Vasks compositions (“Beautifully performed, a rare outing for Vask’s choral music” – Gramophone ‘recommends’), the Latvian Radio Choir once again draws on the Baltic countries’ extraordinary choir music tradition, focusing here on secular repertoire.

The title piece on this disc is Plainscapes, written in 2002 for mixed choir, violin and cello on commission from Gidon Kremer. Meditating on the inspiring beauty of the Latvian lowlands, it uses vocalises to celebrate nature’s cyclic miracles.

Birth (2008) for choir and percussion pays tribute to the sun as a symbol for life.

Contents and tracklist

I. Nosapi parsapi
Track length3:38
II. Dusi dusi
Track length1:35
III. Tris mezi
Track length3:08
IV. Paldies tev vela saule
Track length2:35

Awards and reviews

December 2012

this, the second volume from Ondine, focuses on superb performances by the Latvian Radio Choir of the secular side of his trance-inducing, largely homophonic four-part compositions, regarded by Vasks himself as 'food for the soul'...The newest work here, Birth (2008), for mixed choir and percussion, is likely to send Vasks fans into ecstasies of delight

May 2012

Intensity and integrity are the hallmarks of Vasks's style...The most compelling piece is the album's title-track, Plainscapes...Although almost too harrowingly beautiful to listen to, I do recommend this magical piece, which together with its companions is performed with consummate perfection by this outstanding body of singers.
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