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Dohnányi: String Quartets Nos. 1 & 3

Aviv Quartet

Dohnányi: String Quartets Nos. 1 & 3
This is writing that conveys not very much but does so with civility. The youngish players, decently recorded in a Toronto church, supply warmth and a certain generalised cut and thrust

Dohnányi: String Quartets Nos. 1 & 3

Aviv Quartet

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This is writing that conveys not very much but does so with civility. The youngish players, decently recorded in a Toronto church, supply warmth and a certain generalised cut and thrust

About

Shortly after his first successes as a concert pianist, Dohnányi brought out his First Quartet in 1899. It is a mature work, acknowledging the influence of Brahms whilst also adopting writing that hints strongly at Dohnányi’s own Hungarian origins. It ranges widely and expressively, including both hymnal and folk elements in a richly rewarding way. The Third Quartet of 1926 is more harmonically questing and structurally sophisticated, and filled with vibrant melodies. Of the Aviv Quartet’s previous Naxos recording (8570965 / Schulhoff) MusicWeb International wrote: ‘they sound simply fantastic… The playing is electric; no position is a weak link’.

Dohnányi’s quartets move from late Romanticism to music tinged with a touch of expressionism via Zemlinsky. The Aviv String Quartet has been widely praised internationally in music of a similar vintage – for instance Schulhoff’s chamber music.

Contents and tracklist

I. Allegro agitato e appassionato
Track length11:35
II. Andante religioso con variazioni
Track length10:52
III. Vivace giocoso
Track length5:17
I. Allegro
Track length10:01
II. Allegretto grazioso
Track length5:43
III. Molto adagio con espressione
Track length7:44
IV. Finale. Vivace
Track length6:01

Awards and reviews

June 2012

This is writing that conveys not very much but does so with civility. The youngish players, decently recorded in a Toronto church, supply warmth and a certain generalised cut and thrust

June 2012

their phrasing is attractive, and they generally make a reasonable, if not compelling case for these works.
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