William Steinberg
Heather Harper (soprano), Julia Hamari (alto), Sven Olof Eliasson (tenor), Peter Meven (bass), Wolfgang Marschner (violin)
Kölner Rundfunkchor & Sinfonie-Orchester, William Steinberg
In Steinberg's Gloria, the choir's accent on 'hominibus' is just right: quiet, not overdone...Steinberg hammers out 'consubstantialem Patri' in fine style...Peter Meven intones the the opening...
William Steinberg
Heather Harper (soprano), Julia Hamari (alto), Sven Olof Eliasson (tenor), Peter Meven (bass), Wolfgang Marschner (violin)
Kölner Rundfunkchor & Sinfonie-Orchester, William Steinberg
Purchase product
In Steinberg's Gloria, the choir's accent on 'hominibus' is just right: quiet, not overdone...Steinberg hammers out 'consubstantialem Patri' in fine style...Peter Meven intones the the opening...
About
William Steinberg (1899–1978), a native of Cologne who spent almost all his career in the U.S., was known principally as Music Director of the Pittsburg Symphony (1952–76), which he made into one of the world’s leading orchestras, and also as the distinguished Music Director of the Boston Symphony (1969–72) at the end of his career.
He was celebrated as an orchestra builder, co-founding the Palestine Orchestra which became the Israel Philharmonic as well as helping one of his mentors, Arturo Toscanini, to form the NBC Symphony Orchestra. His other mentor was Otto Klemperer and, like Klemperer, Steinberg conducted and recorded Beethoven, Brahms, Bruckner and Mahler superbly together with a fondness for 20th-century works. Steinberg’s recording of Beethoven’s Missa solemnis has never been issued before on CD and is in excellent stereo.
Contents and tracklist
- Heather Harper (soprano), Julia Hamari (contralto), Sven Olof Eliasson (tenor), Peter Meven (bass), Wolfram Gehring (organ)
- WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln
- William Steinberg
Awards and reviews
August 2012
In Steinberg's Gloria, the choir's accent on 'hominibus' is just right: quiet, not overdone...Steinberg hammers out 'consubstantialem Patri' in fine style...Peter Meven intones the the opening to the Agnus Dei with gravitas.
July 2012
Steinberg impresses by keeping a firm hand on the tiller. Almost without exception I thought his tempi were judiciously chosen...Beethoven makes the most unreasonable demands on the chorus, the sopranos especially, yet the German singers never flinch and I admired the tenors who produce strong, incisive singing yet never force the tone