Rossini: La Cenerentola
Cecilia Bartoli (Cenerentola), William Matteuzzi (Ramiro), Enzo Dara (Don Magnifico), Alessandro Corbelli (Dandini), Fernanda Costa (Clorinda), Gloria Banditelli (Tisbe), Michele Pertusi (Alidoro)
Orchestra & Chorus of the Teatro Comunale di Bologna, Riccardo Chailly
All eyes and ears, inevitably, are on Bartoli, and she doesn't disappoint...The singing itself is ravishing. At the same time, the performance makes dramatic sense...Decca provide a superb Alidoro,...
Rossini: La Cenerentola
Cecilia Bartoli (Cenerentola), William Matteuzzi (Ramiro), Enzo Dara (Don Magnifico), Alessandro Corbelli (Dandini), Fernanda Costa (Clorinda), Gloria Banditelli (Tisbe), Michele Pertusi (Alidoro)
Orchestra & Chorus of the Teatro Comunale di Bologna, Riccardo Chailly
Purchase product
All eyes and ears, inevitably, are on Bartoli, and she doesn't disappoint...The singing itself is ravishing. At the same time, the performance makes dramatic sense...Decca provide a superb Alidoro,...
About
Studio recording, 1992
Contents and tracklist
- Fernanda Costa (soprano), Gloria Banditelli (mezzo-soprano), Cecilia Bartoli (mezzo-soprano), Michele Pertusi (baritone), Enzo Dara (baritone), William Matteuzzi (tenor), Alessandro Corbelli (baritone)
- Orchestra del Teatro Comunale di Bologna, Coro del Teatro Comunale di Bologna
- Riccardo Chailly
- Recorded: 1992-07
- Recording Venue: Teatro Comunale, Bologna
- Enzo Dara (baritone), Gloria Banditelli (mezzo-soprano), Fernanda Costa (soprano), William Matteuzzi (tenor), Alessandro Corbelli (baritone), Cecilia Bartoli (mezzo-soprano), Michele Pertusi (baritone)
- Orchestra del Teatro Comunale di Bologna, Coro del Teatro Comunale di Bologna
- Riccardo Chailly
- Recorded: 1992-07
- Recording Venue: Teatro Comunale, Bologna
Awards and reviews
November 1993
All eyes and ears, inevitably, are on Bartoli, and she doesn't disappoint...The singing itself is ravishing. At the same time, the performance makes dramatic sense...Decca provide a superb Alidoro, an alluring Clorinda, inventive and elaborate continuo playing (fortepiano, cello, and double-bass), sensible but not excessive stage 'production'