Elgar conducts Elgar
The complete recordings 1914 -1925 in new digital transfers from Elgar’s own record library
Charles Mott (baritone), Henry Ainley (speaker), Agnes Nicholls (soprano), Marie Hall (violin), Beatrice Harrison (cello), Leila Megane (contralto)
The Symphony Orchestra & Royal Albert Hall Orchestra
Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.
Elgar conducts Elgar
The complete recordings 1914 -1925 in new digital transfers from Elgar’s own record library
Charles Mott (baritone), Henry Ainley (speaker), Agnes Nicholls (soprano), Marie Hall (violin), Beatrice Harrison (cello), Leila Megane (contralto)
The Symphony Orchestra & Royal Albert Hall Orchestra
Purchase product
Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.
About
Andrew Neill writes: “Edward Elgar became an early star of the gramophone and the recordings he made (and supervised) between 1914 and 1934 remain among the great contributions to the recorded repertoire… Elgar was absolutely sure of himself as a conductor of his own works… He never tried to disguise the fact that his own music thrilled and delighted him.” This collection includes such gems as Beatrice Harrison playing the Cello Concerto and Fringes of the Flleet and will be of great interest to collectors.
Contents and tracklist
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 21 January 1914
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 24 February 1920
- Charles Mott (baritone), Frederick Henry (baritone), Frederick Stewart (baritone), Harry Barratt (baritone)
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 4 July 1917
- Charles Mott (baritone), Frederick Henry (baritone), Frederick Stewart (baritone), Harry Barratt (baritone)
- Recorded: 27 July 1917
- Henry Ainley (narrator)
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 29 January 1915
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 22 May 1919
- Charles Mott (baritone), Agnes Nicholls (soprano)
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 18 February 1916
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 28 February 1917
- Royal Albert Hall Orchestra
- Sir Edward Elgar
- Recorded: 30 December 1921 / 26 October 1923
- Marie Pauline Hall (violin)
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 16 December 1916
- Beatrice Harrison (cello)
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 22 December 1919
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 26 June 1914
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 22 May 1919
- Royal Albert Hall Orchestra
- Sir Edward Elgar
- Recorded: 07 December 1921
- Symphony Orchestra
- Sir Edward Elgar
- Recorded: 28 February 1917
Awards and reviews
June 2012
Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.
February 2012
it’s legitimate to wonder whether a set of Elgar’s acoustic recordings made between 1914 and 1925 merits serious attention. The answer is an emphatic yes.
19th April 2013
Lani Spahr has done a splendid job with these transfers, breathing new life into recordings, the oldest of which is now 99 years old. One takes it as read that the sound is limited but the spirit and character of the music comes across loud and clear. Impressively documented and presented this set is a major document, invaluable as part of our appreciation of one of England’s greatest composers.
Elgar’s acoustic recordings have been issued before, but these transfers from the composer’s own gramophone library sound a lot clearer — some of them, paradoxically the earlier ones, remarkably so...this set is a precious historical document, not least for 1917’s charming Fringes of the Fleet.
