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Elgar conducts Elgar

The complete recordings 1914 -1925 in new digital transfers from Elgar’s own record library

Charles Mott (baritone), Henry Ainley (speaker), Agnes Nicholls (soprano), Marie Hall (violin), Beatrice Harrison (cello), Leila Megane (contralto)

The Symphony Orchestra & Royal Albert Hall Orchestra

Elgar conducts Elgar
Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.

Elgar conducts Elgar

The complete recordings 1914 -1925 in new digital transfers from Elgar’s own record library

Charles Mott (baritone), Henry Ainley (speaker), Agnes Nicholls (soprano), Marie Hall (violin), Beatrice Harrison (cello), Leila Megane (contralto)

The Symphony Orchestra & Royal Albert Hall Orchestra

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$51.75

320 kbps, MP3

$40.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.

About

Andrew Neill writes: “Edward Elgar became an early star of the gramophone and the recordings he made (and supervised) between 1914 and 1934 remain among the great contributions to the recorded repertoire… Elgar was absolutely sure of himself as a conductor of his own works… He never tried to disguise the fact that his own music thrilled and delighted him.” This collection includes such gems as Beatrice Harrison playing the Cello Concerto and Fringes of the Flleet and will be of great interest to collectors.

Contents and tracklist

The Sanguine Fan, Op. 81: Moderato, Maestoso
Track length4:28
No. 1. The Lowestoft Boat
Track length3:51
No. 2. Fate's Discourtesy
Track length3:59
No. 3. Submarines
Track length3:07
No. 4. The Sweepers
Track length3:34
Act I: To the Children: O children, open your arms to me
Track length4:34
Act II: Come Little Winds: Wake up you little night winds
Track length2:45
Act II: The Pine Forest: The Sun has Gone, "Curfew Song"
Track length4:43
Act II: I'm ev'rywhere: I'm ev'rywhere, "Laughter Song"
Track length2:19
Act II: The Blue-eyed Fairy: There's a fairy that hides in the beautiful eyes …
Track length3:15
Act II: O, stars shine brightly: First to appear was the Laugher
Track length3:45
Act III: My Old Tunes: My old tunes are rather broken
Track length4:23
Act III: Hearts must be soft shiny dressed
Track length4:21
Cockaigne, Op. 40, "In London Town": Overture
Track length4:12
I. Allegro
Track length4:03
II. Andante
Track length4:09
III. Cadenza (accompagnata: Lento)
Track length3:49
III. Allegro molto
Track length4:01
I. Adagio - Moderato
Track length4:10
II. Lento - Allegro molto
Track length3:52
III. Adagio
Track length4:00
IV. Allegro - Moderato - Allegro ma non troppo
Track length4:08
Salut d'amour, Op. 12 (version for orchestra)
Track length3:51
Scenes from the Saga of King Olaf, Op. 30: A Little Bird in the Air
Track length3:23
The Dream of Gerontius, Op. 38: Prelude - Angel's Farewell
Track length4:40
The Light of Life, Op. 29: Meditation
Track length4:50
No. 1. Sea Slumber-Song
Track length4:07
No. 2. In Haven (Capri)
Track length1:39
No. 3. Sabbath Morning at Sea
Track length4:50
No. 4. Where Corals Lie
Track length2:49
No. 5. The Swimmer
Track length4:39
Theme: Andante
Track length1:24
Variation 1: C. A. E. (The Composer's Wife)
Track length1:51
Variation 2: H. D. S-P. (Hew David Steuart-Powell)
Track length0:41
Variation 3: R. B. T. (Richard Baxter Townshend)
Track length1:17
Variation 4: W. M. B. (William Meath Baker)
Track length0:32
Variation 5: R. P. A. (Richard Penrose Arnold)
Track length1:59
Variation 6: Ysobel (Isabel Fitton)
Track length1:23
Variation 7: Troyte (Troyte Griffith)
Track length0:59
Variation 8: W. N. (Winifred Norbury)
Track length1:32
Variation 9: Nimrod (A. J. Jaeger)
Track length1:51
Variation 10: Intermezzo: Dorabella (Dora Penny)
Track length2:19
Variation 11: G. R. S. (George Robertson Sinclair)
Track length0:50
Variation 12: B. G. N. (Basil G. Nevinson)
Track length2:37
Variation 13: Romanza: *** (Lady Mary Lygon)
Track length2:20
Variation 14: Finale: E. D. U. (The Composer)
Track length4:44
No. 1 in D major
Track length4:32
No. 4 in G major
Track length3:53
No. 1. The Dance: Allegro giocoso
Track length3:08
No. 2. Lullaby: Moderato
Track length3:39
No. 3. The Marksman: Allegro vivace
Track length2:59
Fantasia
Track length4:32
Fugue
Track length3:27
I. Overture
Track length1:19
II. Serenade
Track length2:05
IV. Sun Dance
Track length1:50
V. Fairy Pipers
Track length2:40
VII. Fairies and Giants
Track length1:51
I. March
Track length1:55
II. The Little Bells
Track length1:51
III. Moths and Butterflies
Track length1:17
V. The Tame Bear
Track length1:47
VI. The Wild Bears
Track length1:52
I. Overture
Track length1:21
IV. Sun Dance
Track length1:51
V. Fairy Pipers
Track length2:34
VII. Fairies and Giants
Track length1:52
I. March
Track length1:56
III. Moths and Butterflies
Track length1:24
I. Allegro vivace e nobilmente
Track length13:32
II. Larghetto
Track length12:12
III. Rondo
Track length7:41
IV. Moderato e maestoso
Track length12:18

Awards and reviews

June 2012

Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.

February 2012

it’s legitimate to wonder whether a set of Elgar’s acoustic recordings made between 1914 and 1925 merits serious attention. The answer is an emphatic yes.

19th April 2013

Lani Spahr has done a splendid job with these transfers, breathing new life into recordings, the oldest of which is now 99 years old. One takes it as read that the sound is limited but the spirit and character of the music comes across loud and clear. Impressively documented and presented this set is a major document, invaluable as part of our appreciation of one of England’s greatest composers.

Elgar’s acoustic recordings have been issued before, but these transfers from the composer’s own gramophone library sound a lot clearer — some of them, paradoxically the earlier ones, remarkably so...this set is a precious historical document, not least for 1917’s charming Fringes of the Fleet.
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