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Special offer. French Cello Sonatas

Julian Steckel (cello) & Paul Rivinius (piano)

French Cello Sonatas
the freshness and energy they bring make up for their occasional brashness and weightier approach. Their Poulenc has an impressive freedom and sensuality, particularly in the plangent chordal...

Special offer. French Cello Sonatas

Julian Steckel (cello) & Paul Rivinius (piano)

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CD

Original price $18.25 Reduced price $14.78

2 available: usually despatched in 3 - 4 working days

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.25

320 kbps, MP3

$8.25

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
the freshness and energy they bring make up for their occasional brashness and weightier approach. Their Poulenc has an impressive freedom and sensuality, particularly in the plangent chordal...

About

Following his excellent release of Cello Concertos by Korngold, Goldschmidt and Bloch (8553223), Julian Steckel performs French Cello Sonatas, as well as Fauré’s Sicilienne, Après un Rêve and Trois Pièces by Boulanger.

“Steckel understands the work (Goldschmidt) better than any soloist I have heard.” Norman Lebrecht

Contents and tracklist

I. Allegro. Tempo di marcia
Track length5:53
II. Cavatine. Très calme
Track length6:43
III. Ballabile. Très Animé
Track length3:18
IV. Finale: Largo, Très librement
Track length6:48
I. Prologue (Lent, sostenuto et molto risoluto)
Track length4:33
II. Sérénade (Modérément animé)
Track length3:18
III. Finale (Animé, léger et nerveux)
Track length3:45
Sicilienne pour Violoncelle et Piano, Op. 78
Track length3:47
No. 1. Modéré
Track length2:45
No. 2. Sans vitesse et à l'aise
Track length1:48
No. 3. Vite et nerveusement rythmé
Track length2:35
I. Allegro
Track length8:24
II. Andante tranquillo et Sostenuto
Track length6:06
III. Allegro moderato
Track length6:10

Spotlight on this release

Awards and reviews

March 2012

the freshness and energy they bring make up for their occasional brashness and weightier approach. Their Poulenc has an impressive freedom and sensuality, particularly in the plangent chordal introduction to the Finale, here played with an organ-like richness of resonance. In Debussy's masterfully spare Sonata, Streckel proves himself brilliantly in control of touch and timbre...Rivinius matches him in sensitivity and range of colour.
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