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Special offer. Purcell: Hail! bright Cecilia

Gillian Fisher (soprano), James Bowman (countertenor), Rogers Covey-Crump (high tenor), John Mark Ainsley (tenor), Michael George (bass) & Simon Keenlyside (bass)

The King’s Consort & The Choir of New College Oxford, Robert King

Purcell: Hail! bright Cecilia
Purcell at his most theatrical and most domestic in two celebratory odes. New College Choir's sound is the main draw in a recital that never quite breaks sweat.

Special offer. Purcell: Hail! bright Cecilia

Gillian Fisher (soprano), James Bowman (countertenor), Rogers Covey-Crump (high tenor), John Mark Ainsley (tenor), Michael George (bass) & Simon Keenlyside (bass)

The King’s Consort & The Choir of New College Oxford, Robert King

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Purcell at his most theatrical and most domestic in two celebratory odes. New College Choir's sound is the main draw in a recital that never quite breaks sweat.

About

The last, and greatest, of Purcell’s four Odes to St Cecilia, Hail! bright Cecilia was composed to a text by Nicholas Brady in 1692 in honour of the feast day of Saint Cecilia, patron saint of musicians. It is a celebratory work comprising of masterful instrumental sections, majestic choruses, and varied solos, duets and trios. Written in 1695, Who can from joy refrain? was composed as an ode celebrating the Duke of Gloucester’s sixth birthday. Both these works reveal the unparalleled richness of the composer’s musical invention and explain why, more than three hundred years later, Henry Purcell is still regarded as one of Britain’s finest composers.

The King’s Consort and a distinguished line-up of soloists perform this glorious music, originally issued as Volume 2 in The Complete Odes & Welcome Songs series, with a high measure of perfection and flawless technique.

Contents and tracklist

I. Symphony
Track length9:27
II. Hail! bright Cecilia, Hail!
Track length4:10
III. Hark, each Tree its silence breaks
Track length4:14
IV. 'Tis Nature's Voice; thro' all the moving Wood
Track length4:03
V. Soul of the World!
Track length2:44
VI. Thou tun'st this World below, the Spheres above
Track length3:13
VII. With that sublime Celestial Lay
Track length3:11
VIII. Wond'rous Machine!
Track length2:45
IX. The Airy Violin
Track length1:28
X. In vain the Am'rous Flute and soft Guitar
Track length5:56
XI. The Fife and all the Harmony of War
Track length3:08
XII. Let these amongst themselves contest
Track length3:25
XIII. Hail! bright Cecilia, Hail to thee!
Track length4:22
I. Overture
Track length4:27
II. Who can from joy refrain?
Track length5:12
III. A Prince of glorious race descended
Track length3:34
IV. The Father brave as e'er was Dane
Track length1:29
V. The Graces in his Mother shine
Track length2:00
VI. Sound the Trumpet and beat the warlike Drum
Track length2:29
VII. If now he burns with noble flame
Track length5:31

Awards and reviews

February 2012

Purcell at his most theatrical and most domestic in two celebratory odes. New College Choir's sound is the main draw in a recital that never quite breaks sweat.

For those to whom Purcell’s unfailing sensitivity and inventiveness in the setting of English texts is a constant miracle, the problem with this series is knowing where to start

Highly desirable additions to any Purcell collection
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