Help
Skip to main content

Special offer. MacMillan: Miserere

Robert Farley (trumpet)

The Sixteen, Harry Christophers

MacMillan: Miserere
One reason this disc makes such a resoundingly positive impression is that The Sixteen are thoroughly caught up in MacMillan's writing....at every the stage the singers are in focus technically...

Special offer. MacMillan: Miserere

Robert Farley (trumpet)

The Sixteen, Harry Christophers

Purchase product

CD

Original price $17.75 Reduced price $14.20

3 available: usually despatched in 3 - 4 working days

Download

From Original price $10.00 Reduced price $7.00

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

Original price ($10.00) Reduced price $7.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
One reason this disc makes such a resoundingly positive impression is that The Sixteen are thoroughly caught up in MacMillan's writing....at every the stage the singers are in focus technically...

About

Continuing their work with Scotland’s most prominent living composer, James MacMillan, Harry Christophers and The Sixteen will release the premiere recording of his exquisite new work Miserere for the CORO label in November.

The Sixteen’s UK premiere of the Miserere at the 2010 Spitalfields Festival won both public and critical acclaim. Based on Psalm 51, the Miserere mei has been set to music many times over the centuries but few composers have tackled the complete text. Allegri was one such composer, whose reputation rests on that single work. CORO is delighted to release the first recording of James MacMillan’s 21st-century take on the text.

The group is renowned for its work with the Scottish composer, and his O bone Jesu - a piece composed especially for The Sixteen and written in emulation of his countryman Robert Carver’s 19-voice O bone Jesu - was part of the ensemble’s 2002 and 2009 Choral Pilgrimage tours and features on this new CD.

The disc also contains a selection of The Strathclyde Motets and the Tenebrae Responsories.

Contents and tracklist

Data est mihi omnis potestas
Track length3:48
Dominus dabit benignitatem
Track length4:33
Factus est repente
Track length2:37
O Radiant Dawn
Track length3:22
Videns Dominus
Track length5:08
Lux aeterna
Track length3:47
In splendoribus sanctorum
Track length11:09
This track is only available as an album download.
Benedicimus Deum caeli
Track length2:28
I. Tenebrae factae sunt
Track length6:07
II. Tradiderunt me
Track length5:35
III. Jesum tradidit impius
Track length8:07

Awards and reviews

January 2012

One reason this disc makes such a resoundingly positive impression is that The Sixteen are thoroughly caught up in MacMillan's writing....at every the stage the singers are in focus technically and emotionally...With everything superbly recorded, this is a disc to return to often, and in which to discover new things each time.

13th November 2011

MacMillan not only imbibes the plainchant tradition of the medieval masters but embellishes it with his own distinctive touches...The Sixteen, directed by Harry Christophers, sing this music as if they really believe in it.

November 2011

The Sixteen's uniquely warm and graceful sound certainly seems to have tapped a particularly timeless and atmospheric vein in Macmillan's creative persona and he has here presented them with something which tests not so much their collective virtuosity as their most profround musical instincts...This disc bears testament to a rare and wonderful relationship between composer, choir and conductor.

18th November 2011

James MacMillan has always shown a flair for dramatic portrayals of spiritual conflict: light against dark, anxiety and despair against consolation...The Sixteen surmount them all [technical demands] triumphantly, and make a sound of impassioned warmth and pinpoint accuracy.

10th March 2012

this collection of a capella choral music is astonishingly accomplished...The occasional flashes of sensuality make this music a real pleasure to listen to; like Poulenc, MacMillan can’t disguise his delight when sneaking into his sacred texts a particularly fruity chord progression...This is contemporary religious music for believers and doubters, and the performances are beyond praise. Astonishingly good.
View download progress