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Bach & Sons: Piano Concertos

Sebastian Knauer (piano)

Zurich Chamber Orchestra, Sir Roger Norrington

Vividly illustrating the stylistic shift from Baroque to Classical, with Norrington's purposeful phrasing, this is among the best of its 'modern instrument' kind.

Bach & Sons: Piano Concertos

Sebastian Knauer (piano)

Zurich Chamber Orchestra, Sir Roger Norrington

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Vividly illustrating the stylistic shift from Baroque to Classical, with Norrington's purposeful phrasing, this is among the best of its 'modern instrument' kind.

About

Cleverly contrasting J S Bach and his sons through their piano concertos, Berlin Classics provides music from the High Baroque to the early classical.

A stunning recording, Sebastian Knauer is accompanied by the Zurich Chamber Orchestra under the direction of Sir Roger Norrington, absolute specialists in historical performance practice on modern instruments.

Contents and tracklist

I. Allegro
Track length7:56
II. Adagio
Track length6:44
III. Allegro
Track length7:46
II. Poco adagio
Track length8:25
III. Allegro assai
Track length5:56
I. Allegro
Track length8:08
II. Siciliano
Track length4:44
III. Allegro
Track length6:32
I. Allegro di molto
Track length6:35
II. Andante
Track length4:15
III. Allegro
Track length2:48

Awards and reviews

December 2011

Vividly illustrating the stylistic shift from Baroque to Classical, with Norrington's purposeful phrasing, this is among the best of its 'modern instrument' kind.

February 2012

Those familiar with Knauer's artistry from earlier discs will know what to expect here - unruffled, aristocractic poise and beautifully understated playing that puts one in mind of Murray Perahia or Emanuel Ax...Norrington and his Zurich players make alert, sympathetic partners, recorded in a well-balanced acoustic.

February 2012

Perhaps the real discovery is CPE's eloquent E major Concerto...Knauer revels in the details though he doesn't always have the last degree of hyper-reactivity when it comes to some of CPE's quirkier turns of phrase. JC's E flat major Concerto forms a delightful end-piece and reminds us that he's so much more than simply a model for Mozart's own keyboard concertos in a performance abounding with wit and panache.
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