JS Bach: Overtures
Freiburger Barockorchester
Awards:
-
Building a Library, December 2014, First Choice
-
Record Review, October 2011, Recording of the Week
-
Gramophone Awards, 2012, Winner - Baroque Instrumental
In the Freiburg Orchestra's exhilaraing account, the soft-grained Baroque flute which gilds the B minor Suite certainly fits well with the 'small is beautiful' impulse...Its reading may lack...
JS Bach: Overtures
Freiburger Barockorchester
Purchase product
Awards:
-
Building a Library, December 2014, First Choice
-
Record Review, October 2011, Recording of the Week
-
Gramophone Awards, 2012, Winner - Baroque Instrumental
In the Freiburg Orchestra's exhilaraing account, the soft-grained Baroque flute which gilds the B minor Suite certainly fits well with the 'small is beautiful' impulse...Its reading may lack...
About
Called “Ouvertüren” in Germany, because they began with a large-scale overture à la française, Bach’s 'Suites for orchestra' offer a unique synthesis of the French and the Italian styles. The Leipzig Cantor did not content himself with a mere set of amiable dances for his Collegium Musicum: he revived the genre in his own manner, accenting the contrasts, refining the orchestration, and introducing a hitherto unknown contrapuntal element. Two centuries later these joyous orchestral works represent an indispensable treasure of the Baroque.
Contents and tracklist
Awards and reviews
-
Record ReviewOctober 2011Recording of the Week
April 2012
In the Freiburg Orchestra's exhilaraing account, the soft-grained Baroque flute which gilds the B minor Suite certainly fits well with the 'small is beautiful' impulse...Its reading may lack sensational revelations, but it's exuberant and stylish, laced with felicitous insights into Bach's sophisticated take on the French style...the dances leap off the page and overtures crackle with incisive declamation.
7th January 2012
The Freiburg orchestra’s CD offers no star soloist, but doesn’t need one in Bach’s four orchestral suites, where the entire ensemble is the soloist.
The touchstone of these performances is their joie de vivre: a lively pace, a rhythmic verve, a stylistic sleight-of-hand that keeps this music fresh and the listener on his/her toes.