Special offer. Fall, L: Der fidele Bauer
Rupert Bergmann (Lindoberer), Laura Scherwitzl (Annamirl), Franz Suhrada (Mathaeus Scheichelroither), Eugene Amesmann (Stefan), Robert Maszl (Vincenz), Romana Noack (Friederike), Thomas Zisterer (Zopf/Horst)
Chor des Lehar Festivals & Franz Lehar-Orchester, Vinzenz Praxmarer
the performance from the 2010 Bad Ischl Festival is of a high standard and offers a proper sense of a genuine Viennese operetta ensemble...This is, though, a stage performance for a German-speaking...
Special offer. Fall, L: Der fidele Bauer
Rupert Bergmann (Lindoberer), Laura Scherwitzl (Annamirl), Franz Suhrada (Mathaeus Scheichelroither), Eugene Amesmann (Stefan), Robert Maszl (Vincenz), Romana Noack (Friederike), Thomas Zisterer (Zopf/Horst)
Chor des Lehar Festivals & Franz Lehar-Orchester, Vinzenz Praxmarer
Purchase product
the performance from the 2010 Bad Ischl Festival is of a high standard and offers a proper sense of a genuine Viennese operetta ensemble...This is, though, a stage performance for a German-speaking...
About
Leo Fall was one of the lesser known composers from the silver operetta period, but in co-operation with the Lehar Festival, Cpo are reviving operettas that are rarely performed or recorded. Such is the case with Leo Fall’s operetta Der fidele Bauer.
Contents and tracklist
- Robert Maszl, Rupert Bergmann, Karl Herbst, Thomas Zisterer, Laura Scherwitzl, Eugene Amesmann, Franz Suhrada
- Franz Lehar Orchestra, Bad Ischl Lehár Festival Choir
- Vinzenz Praxmarer
- Thomas Zisterer, Robert Maszl, Rupert Bergmann, Karl Herbst, Dorli Buchinger, Martin K. Schlatte, Laura Scherwitzl, Franz Suhrada, Eugene Amesmann
- Bad Ischl Lehár Festival Choir, Franz Lehar Orchestra
- Vinzenz Praxmarer
- Christian Kotsis, Romana Noack, Eugene Amesmann, Laura Scherwitzl, Rupert Bergmann, Franz Suhrada, Robert Maszl, Walter Witzany, Thomas Zisterer
- Franz Lehar Orchestra, Bad Ischl Lehár Festival Choir
- Vinzenz Praxmarer
Awards and reviews
December 2011
the performance from the 2010 Bad Ischl Festival is of a high standard and offers a proper sense of a genuine Viennese operetta ensemble...This is, though, a stage performance for a German-speaking audience, and English-speaking listeners should be warned that there's lots of German dialect and no accompanying libretto or translation...but operetta lovers should enjoy hearing Fall's rewarding score in the superior sound quality here.
