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Mahler: Symphony No. 2 'Resurrection'

Kathleen Battle (soprano), Christa Ludwig (mezzo)

Konzertvereinigung Wiener Staatsopernchor & Vienna Philharmonic Orchestra, James Levine

Mahler: Symphony No. 2 'Resurrection'

Awards:

Levine's 1989 Salzburg account would seem to have been fashioned with the delicate sensibilities of the glamorous festival audience in mind. It's a reading which dutifully pushes most of the...

Mahler: Symphony No. 2 'Resurrection'

Kathleen Battle (soprano), Christa Ludwig (mezzo)

Konzertvereinigung Wiener Staatsopernchor & Vienna Philharmonic Orchestra, James Levine

Purchase product

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320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Levine's 1989 Salzburg account would seem to have been fashioned with the delicate sensibilities of the glamorous festival audience in mind. It's a reading which dutifully pushes most of the...

About

James Levine left his mark not only on the operatic life of the Salzburg Festival but also on its concerts, in particular its Mahler renaissance, culminating in the present performance of the ‘Resurrection’ Symphony, which is magnificently sung by chorus and soloists and superbly played by the Vienna Phil.

“Christa Ludwig, Kathleen Battle and the Vienna State Opera Chorus had no difficulty in achieving the same high level as that by Levine and his orchestra, we were witness to a Mahler experience that will remain with us for a very long time.” Volker Boser, Münchner Abendzeitung 21/8/1989

Contents and tracklist

I. Allegro maestoso (Live)
Track length23:26
This track is only available as an album download.
II. Andante moderato (Live)
Track length11:52
III. In ruhig fließender Bewegung (Live)
Track length10:42
IV. Urlicht (Live)
Track length4:47
V. Finale. Im Tempo des Scherzo (Live)
Track length38:13
This track is only available as an album download.

Awards and reviews

April 2012

Levine's 1989 Salzburg account would seem to have been fashioned with the delicate sensibilities of the glamorous festival audience in mind. It's a reading which dutifully pushes most of the right buttons but never the music's extremes. Everything is kept on a pretty even keel...Of course, the Vienna strings offer an echt Viennese account of the Andante
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