Crossing Ohashi Bridge
Richard Watkins (horn)
Goldberg Ensemble, Malcolm Layfield
An intriguing mix of four works from the middle generation of British composers, two of which really stand out: Roger Marsh's Canto and Anthony Gilbert's Palace of the Winds.
Crossing Ohashi Bridge
Richard Watkins (horn)
Goldberg Ensemble, Malcolm Layfield
Purchase product
An intriguing mix of four works from the middle generation of British composers, two of which really stand out: Roger Marsh's Canto and Anthony Gilbert's Palace of the Winds.
About
Richard Watkins is at the forefront of promoting contemporary music for the horn. He has given premières of concertos by Sir Peter Maxwell Davies, Nigel Osborne, Magnus Lindberg, Dominic Muldowney, Nicola LeFanu, and Colin and David Matthews.
The Goldberg Ensemble is committed to performing and commissioning new music, particularly by British composers.
This new recording features a collection of works for string ensemble commissioned by the Goldberg Ensemble including Roger Marsh's haunting Canto 1, based on Dante's Paradiso; Nicola Lefanu's lyrical Amores for horn and string ensemble; Anthony Gilbert's Palace of the Winds inspired by the elaborately ornate Hawa Mahal palace in Jaipur and Geoffrey Poole's Crossing Ohashi Bridge, an abstract work inspired by chaos mathematics such as Fractals, Mandelbrot sets, and named after the Hiroshige painting Sudden shower over Shin-Ôhashi bridge, as featured on the front cover of this disc.
Contents and tracklist
- Goldberg Ensemble
- Malcolm Layfield
- Richard Watkins
- Goldberg Ensemble
- Malcolm Layfield
- Goldberg Ensemble
- Malcolm Layfield
Awards and reviews
December 2011
An intriguing mix of four works from the middle generation of British composers, two of which really stand out: Roger Marsh's Canto and Anthony Gilbert's Palace of the Winds.
23rd October 2011
These four contemporary essays for 11 strings (one with added instrument) are impressive testimony to the Goldberg’s stimulating power. All are highly accomplished, reconceiving as they celebrate the medium, not succumbing to its readily clichéd “Englishness”.