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Crossing Ohashi Bridge

Richard Watkins (horn)

Goldberg Ensemble, Malcolm Layfield

Crossing Ohashi Bridge
An intriguing mix of four works from the middle generation of British composers, two of which really stand out: Roger Marsh's Canto and Anthony Gilbert's Palace of the Winds.

Crossing Ohashi Bridge

Richard Watkins (horn)

Goldberg Ensemble, Malcolm Layfield

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An intriguing mix of four works from the middle generation of British composers, two of which really stand out: Roger Marsh's Canto and Anthony Gilbert's Palace of the Winds.

About

Richard Watkins is at the forefront of promoting contemporary music for the horn. He has given premières of concertos by Sir Peter Maxwell Davies, Nigel Osborne, Magnus Lindberg, Dominic Muldowney, Nicola LeFanu, and Colin and David Matthews.

The Goldberg Ensemble is committed to performing and commissioning new music, particularly by British composers.

This new recording features a collection of works for string ensemble commissioned by the Goldberg Ensemble including Roger Marsh's haunting Canto 1, based on Dante's Paradiso; Nicola Lefanu's lyrical Amores for horn and string ensemble; Anthony Gilbert's Palace of the Winds inspired by the elaborately ornate Hawa Mahal palace in Jaipur and Geoffrey Poole's Crossing Ohashi Bridge, an abstract work inspired by chaos mathematics such as Fractals, Mandelbrot sets, and named after the Hiroshige painting Sudden shower over Shin-Ôhashi bridge, as featured on the front cover of this disc.

Contents and tracklist

I. Very Serene
Track length4:56
This track is only available as an album download.
II. Presto
Track length5:18
III. Sonorous
Track length5:21
IV. Cadenza, Quick
Track length2:46
V. Spacious
Track length6:40

Awards and reviews

December 2011

An intriguing mix of four works from the middle generation of British composers, two of which really stand out: Roger Marsh's Canto and Anthony Gilbert's Palace of the Winds.

23rd October 2011

These four contemporary essays for 11 strings (one with added instrument) are impressive testimony to the Goldberg’s stimulating power. All are highly accomplished, reconceiving as they celebrate the medium, not succumbing to its readily clichéd “Englishness”.
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