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Clara and Robert Schumann: Portraits

Miah Persson (soprano) & Joseph Breinl (piano)

Awards:

Miah Persson's bright, guileless soprano ideally expresses ['Ihr Bild''s] very special simplicity and tenderness. And her accompanist, Joseph Breinl, relishes the pianistic delights of her Lorelei...Persson's...

Clara and Robert Schumann: Portraits

Miah Persson (soprano) & Joseph Breinl (piano)

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Awards:

Miah Persson's bright, guileless soprano ideally expresses ['Ihr Bild''s] very special simplicity and tenderness. And her accompanist, Joseph Breinl, relishes the pianistic delights of her Lorelei...Persson's...

About

Women in love, in pain and in emotional turmoil – such is the subject matter of most of the songs that Swedish soprano Miah Persson and pianist Joseph Breinl have chosen for this recital of works by Robert and Clara Schumann.

The year of Robert and Clara’s wedding is often called Schumann’s Liederjahr; during this ‘year of song’ he composed more than 150 songs, and his wedding gift to Clara was in fact a song cycle, Myrthen, Op. 25. Sixteen songs dated 1840 can be found here, including the Frauenliebe und Leben cycle, the crowning achievement of the year.

But Robert also encouraged Clara to write songs and in 1841 they jointly published a collection entitled The Spring of Love. Clara had composed three of the songs (the 3 Lieder, Op. 12) and Robert the remaining nine, including Der Himmel hat eine Träne geweint

This disc also features Robert’s final song cycle – composed in 1852 and focussing on the life and tragic end of Mary Stuart, Queen of Scots – along with four of Clara’s last songs.

As well as being well-known in opera houses across the world, Miah Persson is increasingly in demand as a recitalist, performing regularly with Joseph Breinl.

Contents and tracklist

No. 1, Widmung
Track length2:07
No. 3, Der Nussbaum
Track length3:05
Myrthen, Op. 25: No. 7, Die Lotosblume
Track length1:46
No. 9, Lied der Suleika
Track length2:32
No. 11, Lieder der Braut aus dem Liebesfruhling I
Track length2:31
No. 12, Lieder der Braut aus dem Liebesfruhling II
Track length1:21
No. 1, Ich stand in dunkeln Traumen
Track length2:15
No. 3, Liebeszauber
Track length1:57
No. 5, Ich hab' in deinem Auge
Track length1:57
No. 1, Abschied von Frankreich (Farewell to France)
Track length1:37
No. 2, Nach der Geburt ihres Sohnes (After the birth of her son)
Track length1:31
No. 3, An die Konigin Elisabeth (to the Queen Elizabeth)
Track length1:29
No. 4, Abschied von der Welt (Farewell to This World)
Track length2:30
No. 5, Gebet (Prayer)
Track length1:31
Lieder und Gesänge II, Op. 51: No. 2, Volksliedchen
Track length1:06
12 Gedichte aus Liebesfruhling, Op. 37: No. 1, Der Himmel hat eine Trane geweint
Track length1:52
No. 1, Er ist gekommen
Track length2:18
No. 3, Warum willst du and're fragen
Track length2:17
No. 2, Liebst du um Schonheit
Track length2:14
No. 1, Seit ich ihn gesehen
Track length2:19
No. 2, Er, der Herrlichste von allen
Track length2:48
No. 3, Ich kann's nicht fassen, nicht glauben
Track length1:44
No. 4, Du Ring an meinem Finger
Track length2:41
No. 5, Helft mir, ihr Schwestern
Track length1:45
No. 6, Susser Freund, du blickest mich verwundert an
Track length3:59
No. 7, An meinem Herzen, an meiner Brust
Track length1:22
No. 8, Nun hast du mir den ersten Schmerz getan
Track length4:24

Awards and reviews

November 2011

Miah Persson's bright, guileless soprano ideally expresses ['Ihr Bild''s] very special simplicity and tenderness. And her accompanist, Joseph Breinl, relishes the pianistic delights of her Lorelei...Persson's Frauenliebe und -Leben also very much tunes in to her own vocal sensibility. This performance rings with exuberant delight: there's a girlish excitement, a racing pulse, and an enraptured confidence, leading to a final song of fierce grief.

November 2011

Her voice is pure, her diction is terrific, and her musicality shines out of every note. And there's superb partnership from Breinl at every turn...A beautifully programmed, intimate and moving recital

November 2011

her naturally sweet, gleaming tone can encompass deeper, more sensuous shadings, as in her dreamy 'Die Lotosblume'...In Frauenliebe und -leben Persson's youthful freshness of tone and eagerness of manner are constant assets. No performance of these songs could be less mawkish or matronly...an enterprising recital from a soprano of charm, intelligence and natural communicative gifts.
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