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Puccini: Tosca (highlights)

Renata Scotto (Tosca), Placido Domingo (Cavaradossi), Renato Bruson (Scarpia), John Cheek (Angelotti), Andrea Velis (Spoletta), Paul Hudson (Sciarrone), Dominick Martinez (Un pastore), Itzhak Perlman (Un carceriere)

Philharmonia Orchestra, Ambrosian Opera Chorus, James Levine

Puccini: Tosca (highlights)
Scotto provides perhaps the most telling use of the text since Callas’s, and she constantly lets one see the distraught, temperamental woman behind the notes.

Puccini: Tosca (highlights)

Renata Scotto (Tosca), Placido Domingo (Cavaradossi), Renato Bruson (Scarpia), John Cheek (Angelotti), Andrea Velis (Spoletta), Paul Hudson (Sciarrone), Dominick Martinez (Un pastore), Itzhak Perlman (Un carceriere)

Philharmonia Orchestra, Ambrosian Opera Chorus, James Levine

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
Scotto provides perhaps the most telling use of the text since Callas’s, and she constantly lets one see the distraught, temperamental woman behind the notes.

About

Contents and tracklist

Tosca - Opera in three acts (1997 Digital Remaster), Act I: Dammi i colori...Recondita armonia (Cavaradossi, Sacristan)
Track length2:59
Tosca: Mario! Mario! Mario!....Quale occhio al mondo
Track length13:41
This track is only available as an album download.
Tosca (1997 - Remaster), Act I: Tre sbirri, una carrozza (Scarpia, Spoletta, Congregation, Attendants)
Track length4:38
Floria!....Amore!...Sei tu? (Cavaradossi, Tosca, Scarpia, Sciarrone)
Track length1:32
Vittoria! Vittoria! (Cavaradossi, Tosca, Scarpia)
Track length3:36
Se la guirata fede debbo tradir (Scarpia, Tosca)
Track length3:50
Tosca, Act 2: "Vissi d'arte" (Tosca)
Track length3:44
Vedi, le man giunte io stendo a te! (Tosca, Scarpia, Spoletta)
Track length3:38
E qual via scegliete? (Scarpia, Tosca)
Track length7:16
E lucevan le stelle (Cavaradossi)
Track length3:10
Ah! Franchigia a Floria Tosca (Cavaradossi, Tosca)
Track length2:32
O dolci mani mansuete e pure (Cavaradossi, Tosca)
Track length5:40
Tosca: E non giungono...l'attesa!...Presto, su! Mario! Mario!
Track length6:39

Awards and reviews

Scotto provides perhaps the most telling use of the text since Callas’s, and she constantly lets one see the distraught, temperamental woman behind the notes.
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