Gesualdo: Madrigali libro terzo, 1595
Alessandro Carmignani, Paolo Costa, Fabio Fùrnari, Raffaele Giordani, Marco Scavazza & Walter Testolin
Delitiæ Musicæ, Marco Longhini
at their best these are distinctive and (dare one say it of such a composer) affectionate performances: the habit of lingering over dissonances deliver some impressive moments, where the homogeneity...
Gesualdo: Madrigali libro terzo, 1595
Alessandro Carmignani, Paolo Costa, Fabio Fùrnari, Raffaele Giordani, Marco Scavazza & Walter Testolin
Delitiæ Musicæ, Marco Longhini
Purchase product
at their best these are distinctive and (dare one say it of such a composer) affectionate performances: the habit of lingering over dissonances deliver some impressive moments, where the homogeneity...
About
Book Three of Gesualdo’s Madrigals was published in 1595 and marked a strong change in his style. Rejecting leading poets of the time, Gesualdo preferred to set little known or indeed anonymous writers in order to evoke pathos and huge drama. This is now music of uncompromising directness and intensity, calling on the resources of dissonance and contrast, and using texts for their full expressive potential. Both previous issues in this series have received high accolades, the first, for example [8570548], being full of “expression, style, heartfelt pulse, and imagination” (American Record Guide).
Contents and tracklist
Awards and reviews
Awards Issue 2011
at their best these are distinctive and (dare one say it of such a composer) affectionate performances: the habit of lingering over dissonances deliver some impressive moments, where the homogeneity becomes a real asset...A couple of light-hearted canzonets provide light relief at the close. Let's hope that this series continues its upward trajectory.
14th July 2011
the third book moves into much more dangerous emotional territory, in which the level of dissonance is much higher, and the setting of the texts is pushed to expressive extremes. The six singers of Delitiae Musicae clearly relish those musical risks, occasionally perhaps just a little too much...As usual, Marco Longhini's sleeve notes are exemplary.