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France 1789

Révolte en musique d’un sans-culotte & d’un royaliste

Arnaud Marzorati & Jean-François Novelli

Les Lunaisiens

France 1789
as this fascinating release by Les Lunaisiens shows, the sheer variety of popular songs in particular and the contexts within which they were performed must have been astonishing...Melanie Flahout's...

France 1789

Révolte en musique d’un sans-culotte & d’un royaliste

Arnaud Marzorati & Jean-François Novelli

Les Lunaisiens

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.75

320 kbps, MP3

$9.25

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
as this fascinating release by Les Lunaisiens shows, the sheer variety of popular songs in particular and the contexts within which they were performed must have been astonishing...Melanie Flahout's...

About

It is whilst singing that the French people would go about killing one another over almost a decade, sharpening their songs and their refrains into bloodthirsty cutting blades! Had Louis XVI paid some attention to the new songs, well before the Taking of the Bastille, he would have understood that his government was faltering and that “the good French people” were no longer only singing romances, drinking songs and village dance music.

On the disc France : 1789 – Révolte en musique d’un sans-culotte & un contre-révolutionnaire, Louis-Ange Pitou, Spy to the Queen, and Ladré, author of « Ça ira », come up against each other in a terrible verbal and musical joust, revealing a forceful period of our history, one of France’s « great civil wars »: the 1789 Revolution. This recording has a universal and founding scope in the contemporary Western world.

It explores an untrodden path and we have therefore decided to publish it separately from existing collections, accompanied by an 80-page booklet (colour), replacing this very specific repertoire in an accessible context.

Contents and tracklist

Awards and reviews

February 2012

as this fascinating release by Les Lunaisiens shows, the sheer variety of popular songs in particular and the contexts within which they were performed must have been astonishing...Melanie Flahout's early flagolet and bassoon and Michel Godard's serpent, as well as the unique timbre of Yves Rechsteiner's organized piano provide a piquant colouring to this superbly conceived and executed (forgive the pun) programme. Vive la musique de la Revolution!
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