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Heinz Holliger: Induuchlen

Sylvia Nopper (soprano), Kai Wessel (countertenor), Felix Renggli (flutes, piccolo), Elmar Schmid (clarinet, bass clarinet, contrabass clarinet), François Benda (clarinet), Jürg Dähler (violin, viola), Matthias Würsch (marimba, drums, cimbalom), Ursula Holliger (harp), Daniel Haefliger (cello), Olivier...

[Puneiga includes] two of this composer's most exquisitely poised settings. Sylvia Nopper is no less enticing in the typically exacting vocal part, with Holliger drawing a precise and fastidious...

Heinz Holliger: Induuchlen

Sylvia Nopper (soprano), Kai Wessel (countertenor), Felix Renggli (flutes, piccolo), Elmar Schmid (clarinet, bass clarinet, contrabass clarinet), François Benda (clarinet), Jürg Dähler (violin, viola), Matthias Würsch (marimba, drums, cimbalom), Ursula Holliger (harp), Daniel Haefliger (cello), Olivier...

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[Puneiga includes] two of this composer's most exquisitely poised settings. Sylvia Nopper is no less enticing in the typically exacting vocal part, with Holliger drawing a precise and fastidious...

About

‘Induuchlen’, destined surely for cult status, finds Heinz Holliger the creative composer drawing inspiration from arcane Swiss sources, setting the poetry of Anna Maria Bacher who writes in the endangered idiom of “Pummattertisch”, and verse by the late Albert Streich, who wrote in Brienz-German. As conductor Holliger draws committed performances from a cast of gifted chamber musicians and singers Sylvia Nopper and Kai Wessel. The results are intriguing, mysterious and strangely beautiful.

Heinz Holliger is one of the most versatile and accomplished musical personalities of our time. Born in Langenthal in 1939, he studied oboe, piano and composition in Bern, Paris and Basel. The recipient of numerous awards (Composers Award of the Schweizer Tonkünstlerverein, Ernst von Siemens Music Prize, Music Prize of Frankfurt, and others), Heinz Holliger counts among the most renowned composers in the world today.

Artists

Sylvia Nopper (soprano), Kai Wessel (countertenor), Felix Renggli (flutes, piccolo), Elmar Schmid (clarinet, bass clarinet, contrabass clarinet), François Benda (clarinet), Jürg Dähler (violin, viola), Matthias Würsch (marimba, drums, cimbalom), Ursula Holliger (harp), Daniel Haefliger (cello), Olivier Darbellay (horn, natural horn), Bahar Dördüncü (piano) & Albert Streich & Anna Maria Bacher (speakers)

Heinz Holliger

Contents and tracklist

I. Monotonia
Track length2:46
II. Moto perpetuo
Track length3:13
III. Harmonia
Track length3:31
IV. Canon in prolatio
Track length1:10
I. Der Wênter
Track length1:59
II. ...aber wêr si Fogla!
Track length1:10
Umgiiri (Zwischenspiel I)
Track length2:06
III. Wen mu plangät
Track length3:35
IV. Herbscht
Track length1:57
V. Der letscht Flug
Track length1:48
z Fingerschädru (Zwischenspiel II)
Track length1:01
VI. Hêlf!
Track length0:58
z Rêtschkuts (Zwischenspiel III)
Track length0:54
VII. Lengi Nacht
Track length2:24
VIII. T Rosa im Morgä
Track length1:17
Ischu Koraal (Zwischenspiel IV)
Track length1:54
IX. Dem Toot
Track length3:57
X. Dechä un Werter
Track length3:36
Induuchlen
Track length0:28
Brienzinium "Uf steinigem Boden"
Track length4:56
Zitronefalter
Track length3:12
Induuchlen
Track length5:40
Der Stäg
Track length4:37

Awards and reviews

November 2011

[Puneiga includes] two of this composer's most exquisitely poised settings. Sylvia Nopper is no less enticing in the typically exacting vocal part, with Holliger drawing a precise and fastidious response from hs ensemble...Kai Wessel and Olivier Darbellay are dedicated exponents of a piece [Induuchlen] that discreetly rewrites the rules for fusing vocal and instrumental means.

23rd June 2011

[In Induuchlen] A counter-tenor delivers the texts, but he is required to sing in the baritone register as well as his usual range, and he's partnered by a natural horn player who has to sing as well as play. The two constantly intertwine until they almost merge into a single composite instrument, an earthy mix of mountain yodelling and forest calls. I've never heard anything quite like it.

22nd July 2011

the "Toronto-Exercises" offers the most satisfying arc. Bracing stuff – though a translation would be welcome.
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