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Berlioz: La Damnation de Faust, Op. 24

Charlotte Margiono (soprano), Vinson Cole (tenor), Thomas Quasthoff (baritone) & Jaco Huijpen (bass)

The Netherlands Radio Philharmonic Orchestra & The Netherlands Radio Choir, Bernard Haitink

Haitink's increasingly dramatic reading of the score comfortably outstrips [Furtwängler and Solti]. Concern that his rather classical Marche hongroise is eschewing the danger and violence implicit...

Berlioz: La Damnation de Faust, Op. 24

Charlotte Margiono (soprano), Vinson Cole (tenor), Thomas Quasthoff (baritone) & Jaco Huijpen (bass)

The Netherlands Radio Philharmonic Orchestra & The Netherlands Radio Choir, Bernard Haitink

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Haitink's increasingly dramatic reading of the score comfortably outstrips [Furtwängler and Solti]. Concern that his rather classical Marche hongroise is eschewing the danger and violence implicit...

About

This memorable performance of Berlioz's masterpiece The Damnation of Faust was recorded in 1999, and is being released for the first time on CD to support the campaign against the Dutch government’s plans to abolish the Muziekcentrum van de Omroep (MCO) and its orchestras - which include the Netherlands Radio Philharmonic. The conductor is the legendary Bernard Haitink, who began his career with the orchestra, and the soloists include Vinson Cole and Thomas Quastoff.

The Netherlands Radio Philharmonic Orchestra gave its first concert on 7 October 1945. Initially it spent most of its time in studios working on a large number of recordings for the public broadcasting system. Illustrious soloists such as Kathleen Ferrier, Elisabeth Schwarzkopf, Clara Haskil and Jean-Pierre Rampal have shared the stage with the orchestra. In 1956 Bernard Haitink became a guest conductor with the Concertgebouw Orchestra, and he was appointed the principal conductor of the Netherlands Radio Philharmonic Orchestra in the following year. Since then, during an illustrious career, he has been chief conductor with, amongst others, the Concertgebouw orchestra, the London Philharmonic and more recently the Chicago Symphony orchestra. He has also had a long standing relationship with the Royal Opera House, Covent Garden.

Hector Berlioz’s “dramatic legend” was first performed at the Opéra-Comique in Paris on 6th December 1846. It is based on a poem by Goethe, and features four solo voices, full seven-part chorus, large children's chorus and orchestra.

Contents and tracklist

Scène 1 - Plaines de Hongrie
Track length6:10
Scène 2 - Ronde des paysans
Track length4:14
Scène 3 - Marche hongroise
Track length4:52
Scène 4 - Nord d’Allemagne
Track length4:58
Scène 4 - Chant de la fête de Pâques
Track length7:34
Scène 5 - Méphistophélès et Faust: ‘O pure émotion’
Track length2:41
Scène 6 - Chœur de buveurs: ‘A boire encore!’
Track length2:30
Scène 6 - Chanson de Brander: ‘Certain rat, dans une cuisine’
Track length3:36
Scène 6 - ‘Vrai Dieu! Messieurs, votre fugue’
Track length1:22
Scène 6 - Chanson de Méphistophélès: ‘Une puce gentille’
Track length4:22
Scène 7 - Air de Méphistophélès: ‘Voici des roses’
Track length2:54
Scène 7 - Chœur de gnomes et de sylphes. Songe de Faust: ‘Dors, heureux Faust’
Track length7:01
Scène 7 - Ballet des sylphes
Track length2:38
Scène 7 - Faust: ‘Margarita!’
Track length1:11
Scène 8 - Chœurs de soldats et chanson d’étudiants
Track length5:47
Scène 9 - La retraite
Track length1:09
Scène 9 - Air de Faust: ‘Merci, doux crépuscule’
Track length5:52
Scène 10 - Méphistophélès et Faust
Track length1:03
Scène 11 - Marguerite: ‘Que l’air est étouffant’
Track length3:07
Scène 11 - Le roi de Thulé
Track length5:29
Scène 12 - Évocation
Track length1:52
Scène 12 - Menuet des follets
Track length6:14
Scène 12 - Sérénade de Méphistophélès
Track length2:19
Scène 13 - Final. Duo, trio et chœur
Track length5:52
Scène 14 - Trio et chœur
Track length5:45
Scène 15 - Romance. Marguerite: ‘D’amour l’ardente flamme’
Track length10:46
This track is only available as an album download.
Scène 16 - Invocation à la nature
Track length5:13
Scène 17 - Récitatif et chasse
Track length3:42
Scène 18 - La course à l'abîme
Track length3:19
Scène 19 - Pandæmonium
Track length4:25
Scène 19 - Épilogue sur la terre
Track length1:28
Scène 19 - Dans le ciel
Track length11:40
This track is only available as an album download.

Awards and reviews

June 2011

Haitink's increasingly dramatic reading of the score comfortably outstrips [Furtwängler and Solti]. Concern that his rather classical Marche hongroise is eschewing the danger and violence implicit in Berlioz's wind and brass scoring is soon allayed by his pulse and pace in the big choral ensembles...the chamber-like delicacy of the sylph music and his evident emotional commitment to the perils of Faust's predicament.

July 2011

Haitink's grasp of the score is remarkable and the playing of the March has a really thrilling abandon...Cole's Faust is is sweet-toned and lyrical, matched by Thomas Quasthoff's agile and well-characterized Mephistopheles...Marguerite is sung by the soprano Charlotte Margiono with considerable tenderness...The choral contribution is superbly responsive throughout.

19th May 2011

it quickly becomes obvious that Haitink's account of a work he's never recorded commercially is well worth releasing in its own right. He obtains playing of refinement and precision from the Netherlands Radio Philharmonic, and the orchestral set pieces like the Hungarian March and the Minuet of the Will o' the Wisps are perfectly judged. Vinson Cole is the wonderfully articulate Faust and Charlotte Margiono a touching Marguerite
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