Jean Absil doesn’t only have the honour of occupying the first pages of all musical dictionaries; he is also one of the most important Belgian composers of the 20th century. In the course of a long and prestigious career, which gave him access to the main European editors, he wrote works which brought him friendship and respect from composers as diverse as Florent Schmitt, Darius Milhaud or Béla Bartók. Sometimes harsh, often appealing, almost always polytonal and contrapuntal, his refined language earned him international recognition, halted by World War II but which truly took off afterwards. Daniel Blumenthal, in a world first, gives us his personal exploration of a fascinating and colourful piano repertoire.