Special offer. Puccini: Tosca
Renata Tebaldi (Tosca), Ferruccio Tagliavini (Cavaradossi), Tito Gobbi (Scarpia), Michael Langdon (Angelotti), Howell Glynne (Sacristan), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Shepherd) & Rhydderch Davies (Jailer)
Covent Garden Chorus & Orchestra, Francesco...
Tebaldi's heady tone is equal to every one of the role's musical demands, while dramatically she proves an engaged and potent heroine...[Gobbi's Scarpia] as always is dramatically thrilling;...
Special offer. Puccini: Tosca
Renata Tebaldi (Tosca), Ferruccio Tagliavini (Cavaradossi), Tito Gobbi (Scarpia), Michael Langdon (Angelotti), Howell Glynne (Sacristan), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Shepherd) & Rhydderch Davies (Jailer)
Covent Garden Chorus & Orchestra, Francesco...
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Tebaldi's heady tone is equal to every one of the role's musical demands, while dramatically she proves an engaged and potent heroine...[Gobbi's Scarpia] as always is dramatically thrilling;...
About
This June 1955 performance of Puccini’s Tosca marked Renata Tebaldi’s first appearance with the Covent Garden Company. The roles of Cavaradossi and Scarpia were filled by two of Italy’s finest singers, Ferruccio Tagliavini (Cavaradossi) and Tito Gobbi (Scarpia). All three went on to make memorable studio recordings for Decca, Cetra and EMI.
The Times wrote on 29 June 1955, the day after the first performance of the revival, ‘The performance was tremendous, not only in the singing, which was up to the heroic standards of the past, but in dramatic tension’. The conductor came in for particular praise, ‘Mr Molinari-Pradelli gave no quarter to his singers and extracted every ounce of power out of the orchestra’.
Of Tebaldi’s Tosca, The Times wrote, ‘With an imposing presence, a fine voice, and a sure judgement of dramatic gesture she made Tosca credible and sympathetic in phrases that were moulded to exploit every intonation of her voice’.
The same critic praised Ferruccio Tagliavini, ‘his voice is generous. his mezza voice is pleasing and his tone does not harden in forte passages’ while Tito Gobbi’s Scarpia was described as ‘an aristocrat corrupted by power’.
Artists
Renata Tebaldi (Tosca), Ferruccio Tagliavini (Cavaradossi), Tito Gobbi (Scarpia), Michael Langdon (Angelotti), Howell Glynne (Sacristan), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Shepherd) & Rhydderch Davies (Jailer)
Covent Garden Chorus & Orchestra, Francesco Molinari-Pradelli
Contents and tracklist
- Renata Tebaldi (soprano), Ferruccio Tagliavini (tenor), Tito Gobbi (baritone), Michael Langdon (bass), Howell Glynne (bass), David Tree (vocals), Ronald Lewis (baritone), Rhydderch Davies (baritone), Noreen Berry (mezzo-soprano)
- Royal Opera House Chorus, Covent Garden, Royal Opera House Orchestra, Covent Garden
- Francesco Molinari-Pradelli
- Recorded: 30 June 1955
- Recording Venue: Royal Opera House, Covent Garden
Awards and reviews
August 2011
Tebaldi's heady tone is equal to every one of the role's musical demands, while dramatically she proves an engaged and potent heroine...[Gobbi's Scarpia] as always is dramatically thrilling; though not the greatest voice for the brutal police chief, Gobbi's baritone arguably provides more theatrical frisson than any other exponent. Francesco Molinari-Pradelli is an idiomatic conductor of very respectable forces.
July 2011
Tebaldi's voice is remarkably fresh and secure, with all five high Cs in place and offering no problems, the registers perfectly knit and the sound grand, beautiful and womanly...Gobbi, is, of course, sui generis. From his opening, snarling statement in church, through his lascivious, sneering 'Ebbene' and disgusting 'Tosca, finalmente mia' and even beyond, he terrifies.