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Special offer. Puccini: Tosca

Renata Tebaldi (Tosca), Ferruccio Tagliavini (Cavaradossi), Tito Gobbi (Scarpia), Michael Langdon (Angelotti), Howell Glynne (Sacristan), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Shepherd) & Rhydderch Davies (Jailer)

Covent Garden Chorus & Orchestra, Francesco...

Puccini: Tosca
Tebaldi's heady tone is equal to every one of the role's musical demands, while dramatically she proves an engaged and potent heroine...[Gobbi's Scarpia] as always is dramatically thrilling;...

Special offer. Puccini: Tosca

Renata Tebaldi (Tosca), Ferruccio Tagliavini (Cavaradossi), Tito Gobbi (Scarpia), Michael Langdon (Angelotti), Howell Glynne (Sacristan), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Shepherd) & Rhydderch Davies (Jailer)

Covent Garden Chorus & Orchestra, Francesco...

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Tebaldi's heady tone is equal to every one of the role's musical demands, while dramatically she proves an engaged and potent heroine...[Gobbi's Scarpia] as always is dramatically thrilling;...

About

This June 1955 performance of Puccini’s Tosca marked Renata Tebaldi’s first appearance with the Covent Garden Company. The roles of Cavaradossi and Scarpia were filled by two of Italy’s finest singers, Ferruccio Tagliavini (Cavaradossi) and Tito Gobbi (Scarpia). All three went on to make memorable studio recordings for Decca, Cetra and EMI.

The Times wrote on 29 June 1955, the day after the first performance of the revival, ‘The performance was tremendous, not only in the singing, which was up to the heroic standards of the past, but in dramatic tension’. The conductor came in for particular praise, ‘Mr Molinari-Pradelli gave no quarter to his singers and extracted every ounce of power out of the orchestra’.

Of Tebaldi’s Tosca, The Times wrote, ‘With an imposing presence, a fine voice, and a sure judgement of dramatic gesture she made Tosca credible and sympathetic in phrases that were moulded to exploit every intonation of her voice’.

The same critic praised Ferruccio Tagliavini, ‘his voice is generous. his mezza voice is pleasing and his tone does not harden in forte passages’ while Tito Gobbi’s Scarpia was described as ‘an aristocrat corrupted by power’.

Artists

Renata Tebaldi (Tosca), Ferruccio Tagliavini (Cavaradossi), Tito Gobbi (Scarpia), Michael Langdon (Angelotti), Howell Glynne (Sacristan), David Tree (Spoletta), Ronald Lewis (Sciarrone), Noreen Berry (Shepherd) & Rhydderch Davies (Jailer)

Covent Garden Chorus & Orchestra, Francesco Molinari-Pradelli

Contents and tracklist

Act I: Ah! Finalmente! … E sempre lava! (Angelotti, Sagrestano, Cavaradossi)
Track length5:19
Act I: Dammi i colori … Recondita armonia (Cavaradossi, Sagrestano)
Track length4:11
Act I: Gente la dentro! (Cavaradossi, Angelotti, Tosca)
Track length1:09
Act I: Mario! Mario! Mario! (Tosca, Cavaradossi)
Track length6:54
Act I: Ah, quegli occhi (Tosca, Cavaradossi)
Track length4:59
Act I: E buona la mia Tosca … Siam soli? … Sommo giubilo, Eccellenza! (Cavaradossi, Angelotti, Sagrestano, Chorus)
Track length5:17
Act I: Un tal baccano in chiesa! (Scarpia, Sagrestano, Spoletta)
Track length3:43
Act I: Or tutto e chiaro … Mario?! Mario?! (Scarpia, Tosca, Sagrestano)
Track length3:00
Act I: Ed io venivo a lui tutta dogliosa (Tosca, Scarpia)
Track length3:54
Act I: Tre sbirri … Una carrozza … Adjutorum nostrum in nomine Domini (Scarpia, Spoletta, Chorus)
Track length4:13
Act II: Tosca e un buon falco! (Scarpia, Sciarrone)
Track length3:00
Act II: Ha piu forte sapore la conquista violenta … Spoletta e giunto (Scarpia, Sciarrone, Spoletta)
Track length2:23
Act II: Meno male! - Egli e la (Scarpia, Spoletta, Cavaradossi)
Track length2:26
Act II: Ov'e Angelotti? … Mario, tu qui?! (Scarpia, Cavaradossi, Spoletta, Tosca)
Track length2:37
Act II: Ed or fra noi parliam da buoni amici Sciarrone: che dice il Cavalier? (Scarpia, Tosca, Sciarrone, Cavaradossi)
Track length3:59
Act II: Orsu, Tosca, parlate (Scarpia, Tosca, Cavaradossi, Spoletta)
Track length3:17
Act II: Basta, Roberti (Scarpia, Sciarrone, Tosca, Cavaradossi)
Track length1:32
Act II: Nel pozzo del giardino … Eccellenza, quali nuove! … Vittoria! Vittoria! (Scarpia, Cavaradossi, Tosca, Sciarrone)
Track length3:53
Act II: Se la giurata fede debbo tradir (Scarpia, Tosca)
Track length3:51
Act II: Vissi d'arte (Tosca, Scarpia)
Track length3:53
Act II: Vedi, le man giunte io stendo a te! (Tosca, Scarpia, Spoletta)
Track length3:35
Act II: E qual via scegliete? … Tosca, finalmente mia! (Scarpia, Tosca)
Track length6:15
Act III: Io de' sospiri (Pastore)
Track length5:00
Act III: Mario Cavaradossi? A voi … (Carceriere, Cavaradossi)
Track length2:50
Act III: E lucevan le stelle (Cavaradossi)
Track length4:35
Act III: Ah! Franchigia a Floria Tosca … (Cavaradossi, Tosca)
Track length2:13
Act III: O dolci mani … Senti … l'ora e vicina (Cavaradossi, Tosca)
Track length5:02
Act III: E non giungono (Tosca, Cavaradossi, Carceriere)
Track length2:35
Act III: Come e lunga l'attesa! (Tosca)
Track length2:23
Act III: Presto, su! Mario! Mario! … E lei (Tosca, Sciarrone, Spoletta, Soldiers)
Track length1:23

Awards and reviews

August 2011

Tebaldi's heady tone is equal to every one of the role's musical demands, while dramatically she proves an engaged and potent heroine...[Gobbi's Scarpia] as always is dramatically thrilling; though not the greatest voice for the brutal police chief, Gobbi's baritone arguably provides more theatrical frisson than any other exponent. Francesco Molinari-Pradelli is an idiomatic conductor of very respectable forces.

July 2011

Tebaldi's voice is remarkably fresh and secure, with all five high Cs in place and offering no problems, the registers perfectly knit and the sound grand, beautiful and womanly...Gobbi, is, of course, sui generis. From his opening, snarling statement in church, through his lascivious, sneering 'Ebbene' and disgusting 'Tosca, finalmente mia' and even beyond, he terrifies.
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