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Cilea: Adriana Lecouvreur

Micaela Carosi (Adriana), Marcelo Álvarez (Maurizio), Marianne Cornetti (Principessa de Bouillon) & Alfonso Antoniozzi (Michonnet)

Teatro Regio Torino, Renato Palumbo (conductor) & Lorenzo Mariani (director)

Cilea: Adriana Lecouvreur
the outstanding impression is of a mostly Italian cast who deliver the goods with gutsy native confidence...As Adriana the famous actress [Carosi] decaims her lines in high melodramatic style...[Cornetti]...

Cilea: Adriana Lecouvreur

Micaela Carosi (Adriana), Marcelo Álvarez (Maurizio), Marianne Cornetti (Principessa de Bouillon) & Alfonso Antoniozzi (Michonnet)

Teatro Regio Torino, Renato Palumbo (conductor) & Lorenzo Mariani (director)

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
the outstanding impression is of a mostly Italian cast who deliver the goods with gutsy native confidence...As Adriana the famous actress [Carosi] decaims her lines in high melodramatic style...[Cornetti]...

About

Adriana Lecouvreur is the opera that brought definitive international fame to Francesco Cilea.

This CD was recorded at a production from the Teatro Regio Di Torino in 2009 that featured a first-rate cast; the Princess de Bouillon is sung by mezzo-soprano Marianne Cornetti, one of the most in-demand representatives of her vocal category. Opposite her, in the role of Adriana, is a soprano who as a Verdi and verismo specialist also appears regularly at all the major international opera houses, Micaela Carosi. The role of Maurizio is sung by the world-class tenor Marcelo Álvarez. Conductor Renato Palumbo is very much at home with Italian Romantic repertoire which makes him the ideal conductor for Cilea’s operatic masterpiece.

Contents and tracklist

Act I: Michonnet, della biacca! (Jouvenot)
Track length2:31
Act I: Il Principe di Bouillon (Michonnet)
Track length3:37
Act I: Del sultano Amuratte m'arrendo all' imper (Adriana)
Track length2:05
Act I: Io son l'umile ancella (Adriana)
Track length5:10
Act I: Son cinque anni che l'amo (Michonnet)
Track length6:03
Act I: La dolcissima effige (Maurizio)
Track length4:55
Act I: Or dunque, Abate? (Il Principe)
Track length4:57
Act I: Ecco il monologo (Michonnet)
Track length4:44
Act I: Dov'e, dunque, il biglietto di Zatima (Michonnet)
Track length4:19
Act II: Acerba volutta, dolce tortura (La Principessa)
Track length4:37
Act II: Principessa … - Finalmente! (Maurizio, La Principessa)
Track length5:53
Act II: L'anima ho stanca (Maurizio)
Track length2:15
Act II: Amore e fiamma (La Principessa)
Track length4:34
Act II: Ma, dunque, e vero? (Adriana)
Track length5:04
Act II: Politico disegni qui mi condusse (Maurizio)
Track length4:50
Act II: Senza lentezza
Track length2:54
Act II: Sia! (Adriana)
Track length6:48
Act III: Eh via! (L'abate)
Track length6:08
Act III: D'ammirar piu da presso (Il Principe)
Track length4:41
Act III: Il russo Mencikoff (Maurizio)
Track length2:28
Act III: Dormi, dormi, o pastorello (Chorus)
Track length3:35
Act III: Andante sostenuto
Track length3:13
Act III: E quella dama al certo! (L'abate)
Track length2:38
Act III: Guisto cielo! (Adriana)
Track length4:27
Act IV: Andante triste
Track length3:44
Act IV: So ch'ella dorme (Michonnet)
Track length6:03
Act IV: Prendi: ti fara bene (Michonnet)
Track length2:09
Act IV: Lieta sopresa! (Adriana)
Track length3:47
Act IV: Vediam … Cielo! (Adriana)
Track length2:05
Act IV: Poveri fiori (Adriana)
Track length3:27
Act IV: Tinganni (Michonnet)
Track length3:33
Act IV: No, la mia fronte (Adriana)
Track length4:22
Act IV: Che? Tu tremi … trascolori (Maurizio)
Track length9:53

Awards and reviews

July 2011

the outstanding impression is of a mostly Italian cast who deliver the goods with gutsy native confidence...As Adriana the famous actress [Carosi] decaims her lines in high melodramatic style...[Cornetti] is armed with chest notes like torpedoes which she fires off untiring aplomb...[Palumbo] is rumbustious in the genre scenes where Cilea starts to sound like Massenet.

May 2011

[Carosi's] voice is a genuine spinto, with the essential meaty middle and basic tonal warmth that Cilea's unfailingly appealing, exceedingly womanly heroine requires...Álvarez [gives] his all as Maurizio...[Cornetti] has the right instrument for the Princess di Bouillon...Palumbo displays the good taste that any fine conductor must exercise in keeping the excessive lushness of Cilea's score within reasonable bounds.
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