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Bach: Goldberg Variations

Andrea Bacchetti (piano)

Bach: Goldberg Variations
Andrea Bacchetti's latest recording of Bach's great set of variations is one of the most wonderful things I have ever heard...Every single variation here is thought out afresh, but what is still...

Bach: Goldberg Variations

Andrea Bacchetti (piano)

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Andrea Bacchetti's latest recording of Bach's great set of variations is one of the most wonderful things I have ever heard...Every single variation here is thought out afresh, but what is still...

About

The acclaimed pianist Andrea Bacchetti has recorded a disc of J.S Bach’s popular Goldberg Variations and five pieces from the set of harpsichord pieces entitled ‘Clavierbüchlein’, written for his second wife Anna Magdalena. Alongside various single pieces that were not used again, the collections contain the first drafts of works that were later to become parts of other important collections, like the French Suites and the Well-tempered Clavier. This is seen in the Praeludium in C major which is almost identical to the start of the first volume of the Well-tempered Clavier; the Aria in G major is the starting point for the Goldberg Variations; and the chorale Wer nun den lieben Gott will be found again in a later manuscript collection of chorales.

Contents and tracklist

Aria
Track length3:19
Variatio 1. A 1 Clav.
Track length1:48
Variatio 2. A 1 Clav.
Track length1:24
Variatio 3. Canone all'Unisuono a 1 Clav.
Track length1:56
Variatio 4. A 1 Clav.
Track length1:03
Variatio 5. A 1 o vero 2 Clav.
Track length1:37
Variatio 6. Canone alla Seconda. A 1 Clav.
Track length1:19
Variatio 7. A 1 o vero 2 Clav.
Track length1:44
Variatio 8. A 2 Clav.
Track length1:46
Variatio 9. Canzone alla Terza. A 1 Clav.
Track length1:24
Variatio 10. Fughetta. A 1 Clav.
Track length1:36
Variatio 11. A Clav.
Track length2:03
Variatio 12. Canone alla Quarta. A 1 Clav.
Track length2:02
Variatio 13. A 2 Clav.
Track length3:35
Variatio 14. A 2 Clav.
Track length2:01
Variatio 15. Canone alla Quinta. A 1 Clav.
Track length2:42
Variatio 16. Ouverture. A 1 Clav.
Track length2:43
Variatio 17. A 2 Clav.
Track length1:57
Variatio 18. Canone alla Sexta. A 1 Clav.
Track length1:24
Variatio 19. A 1 Clav.
Track length1:09
Variatio 20. A 2 Clav.
Track length1:50
Variatio 21. Canone alla Settima. A 1 Clav.
Track length2:00
Variatio 22. A 1 Clav.
Track length1:22
Variatio 23. A 2 Clav.
Track length2:03
Variatio 24. Canone all´ Ottava. A 1 Clav.
Track length2:30
Variatio 25. A 2 Clav.
Track length5:13
Variatio 26. A 2 Clav.
Track length2:03
Variatio 27. Canone alla Nona. A 2 Clav.
Track length1:37
Variatio 28. A 2 Clav.
Track length2:20
Variatio 29. A 1 o vero 2 Clav.
Track length1:58
Variatio 30. Quodlibet. A 1 Clav.
Track length1:28
Aria da capo
Track length2:05
Minuet in G Major, BWV Anh. 114
Track length0:58
Wer nur den lieben Gott lasst walten, BWV 691
Track length1:18
March in D Major, BWV Anh. 122
Track length0:40
Aria
Track length2:00
Prelude No. 1 in C Major, BWV 846
Track length2:29

Awards and reviews

May 2011

Andrea Bacchetti's latest recording of Bach's great set of variations is one of the most wonderful things I have ever heard...Every single variation here is thought out afresh, but what is still more remarkable is the cumulative energy, so that by the time Bacchetti had reached the last four, I had an idiot grin of ecstasy, which refused to go away.

September/October 2011

I have listened a lot to Andrea Bacchetti's Bach and I must say I find it easy to live with. The percussive attack of his Fazioli piano is only a step away freom the ping of the harpsichord, and in spite of the modern instrument Bacchetti's approach could be termed histrorically informed...Bacchetti gets on with things: hear how he flings himself into the first variation. It is vigorous and joyful, even a touch crude on certain bass notes (which I like).

April 2011

He is a clear and elegant pianist, with crisp, immaculate fingerwork that is certainly a prerequisite for the Goldberg Variation, as well as lovely legato and a tone that surrounds his distinct articulation with liquiescence...Bacchetti’s playing is immensely likeable

Musical Opinion July/August 2011

This new release of this extraordinary masterpiece by the young Italian pianist Andrea Bacchetti is of high quality, both in terms of its musical understanding and technical mastery. The recording quality is also first-rate...Bacchetti is a very fine player indeed, with an excellent understanding of Bach and of the period...The little 'Anna Magdalena' pieces make a delightful bonus, and this CD can be warmly recommended.
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