Special offer. Rossi, Lauro: Cleopatra
Dimitra Theodossiou (Cleopatra), Alessandro Liberatore (Marco Antonio), Paolo Pecchioli (Ottavio Cesare), Sebastian Catana (Diomede), William Corrò (Proculejo), Tiziana Carraro (Ottavia) & Paola Gardina (Carmiana)
FORM – Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano ‘V....
there are some strongly dramatic scenes, such as where Cleopatra improbably turns up in Rome intending to murder Mary Antony's wife: her two-octave drop at 'Si, Cleopatra!' leads to a powerful...
Special offer. Rossi, Lauro: Cleopatra
Dimitra Theodossiou (Cleopatra), Alessandro Liberatore (Marco Antonio), Paolo Pecchioli (Ottavio Cesare), Sebastian Catana (Diomede), William Corrò (Proculejo), Tiziana Carraro (Ottavia) & Paola Gardina (Carmiana)
FORM – Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano ‘V....
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there are some strongly dramatic scenes, such as where Cleopatra improbably turns up in Rome intending to murder Mary Antony's wife: her two-octave drop at 'Si, Cleopatra!' leads to a powerful...
About
First performed at the Teatro Regio, Turin, on 5 March 1876, Lauro Rossi’s penultimate opera Cleopatra caught the public’s attention in the wake of Verdi’s Aïda (1871). Like that better-known work, it contains some wonderful arias and set pieces, including a marvellous Act 1 banquet scene, Cleopatra’s Act 2 aria, the thrilling ensemble that closes Act 3, and the confrontation between Cleopatra and Octavian in Act 4, all making for compelling listening.
From the brooding opening scene in which Diomedes foretells the fall of Egypt to Cleopatra’s death scene, this gripping grand opera by one of Italy’s forgotten masters springs vividly to life in this revival recorded at the 2008 Macerata Sferisterio Festival.
“If you like Verdi, you will almost certainly enjoy this performance of Rossi’s Cleopatra, especially if you are a snapper-up of what in the eighteenth century used to be called ‘curiosities’… this would be my Discovery of the Month.” MusicWeb International
Artists
Dimitra Theodossiou (Cleopatra), Alessandro Liberatore (Marco Antonio), Paolo Pecchioli (Ottavio Cesare), Sebastian Catana (Diomede), William Corrò (Proculejo), Tiziana Carraro (Ottavia) & Paola Gardina (Carmiana)
FORM – Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano ‘V. Bellini’, David Crescenzi
Contents and tracklist
- Paolo Pecchioli (bass), Dimitra Theodossiou (soprano), William Corro (bass), Sebastian Catana (baritone), Giacomo Medici (baritone), Alessandro Liberatore (tenor), Tiziana Carraro (mezzo-soprano), Paola Gardina (mezzo-soprano)
- Marchigiana Philharmonic Orchestra, Coro Lirico Marchigiano 'V. Bellini', Ancona Bellini Chorus
- David Crescenzi
- Recorded: 24 & 29 July 2008
- Recording Venue: Sferisterio Opera Festival, Macerata, Italy
Awards and reviews
June 2011
there are some strongly dramatic scenes, such as where Cleopatra improbably turns up in Rome intending to murder Mary Antony's wife: her two-octave drop at 'Si, Cleopatra!' leads to a powerful ensemble of perplexity...There are no outstanding voices but the performance is strong enough to appeal to anyone curious about the byways of 19th-century opera.
7th April 2011
Rossi, fashionable in the 1840s, was attempting a career revival by clambering on the Egyptology bandwagon made popular by Aida...Rossi's style, meanwhile, is closer to Meyerbeer than Verdi...The best singing comes from Dimitra Theodossiou's smoky-toned Cleopatra and Sebastian Catana's handsomely harassed Diomede.
Opera Now Summer 2011
Dimitra Theodossiou is a sensual Cleopatra and Sebastian Catana Diomede gives a heartfelt performance as the hapless love rival Diomede