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Special offer. Rossi, Lauro: Cleopatra

Dimitra Theodossiou (Cleopatra), Alessandro Liberatore (Marco Antonio), Paolo Pecchioli (Ottavio Cesare), Sebastian Catana (Diomede), William Corrò (Proculejo), Tiziana Carraro (Ottavia) & Paola Gardina (Carmiana)

FORM – Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano ‘V....

Rossi, Lauro: Cleopatra
there are some strongly dramatic scenes, such as where Cleopatra improbably turns up in Rome intending to murder Mary Antony's wife: her two-octave drop at 'Si, Cleopatra!' leads to a powerful...

Special offer. Rossi, Lauro: Cleopatra

Dimitra Theodossiou (Cleopatra), Alessandro Liberatore (Marco Antonio), Paolo Pecchioli (Ottavio Cesare), Sebastian Catana (Diomede), William Corrò (Proculejo), Tiziana Carraro (Ottavia) & Paola Gardina (Carmiana)

FORM – Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano ‘V....

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
there are some strongly dramatic scenes, such as where Cleopatra improbably turns up in Rome intending to murder Mary Antony's wife: her two-octave drop at 'Si, Cleopatra!' leads to a powerful...

About

First performed at the Teatro Regio, Turin, on 5 March 1876, Lauro Rossi’s penultimate opera Cleopatra caught the public’s attention in the wake of Verdi’s Aïda (1871). Like that better-known work, it contains some wonderful arias and set pieces, including a marvellous Act 1 banquet scene, Cleopatra’s Act 2 aria, the thrilling ensemble that closes Act 3, and the confrontation between Cleopatra and Octavian in Act 4, all making for compelling listening.

From the brooding opening scene in which Diomedes foretells the fall of Egypt to Cleopatra’s death scene, this gripping grand opera by one of Italy’s forgotten masters springs vividly to life in this revival recorded at the 2008 Macerata Sferisterio Festival.

“If you like Verdi, you will almost certainly enjoy this performance of Rossi’s Cleopatra, especially if you are a snapper-up of what in the eighteenth century used to be called ‘curiosities’… this would be my Discovery of the Month.” MusicWeb International

Artists

Dimitra Theodossiou (Cleopatra), Alessandro Liberatore (Marco Antonio), Paolo Pecchioli (Ottavio Cesare), Sebastian Catana (Diomede), William Corrò (Proculejo), Tiziana Carraro (Ottavia) & Paola Gardina (Carmiana)

FORM – Orchestra Filarmonica Marchigiana & Coro Lirico Marchigiano ‘V. Bellini’, David Crescenzi

Contents and tracklist

Act I: Qui suoneran tra poco (Diomede, Chorus of Priests)
Track length5:11
Act I: Il zeffiro mite (Chorus of Female Slaves, Chorus of Priests, Diomede, Cleopatra, Antonio)
Track length4:49
Act I: Dunque, fra le tenebre … (Diomede)
Track length1:10
Act I: Alla minaccia fiera crudele (Diomede)
Track length2:27
Act I: L'ore che fuggono (Chorus of Female Slaves, Nobles and Princes)
Track length3:18
Act I: A te d'appresso (Antonio, Cleopatra, Chorus of Nobles and Princes)
Track length2:06
Act I: Libo alle notti (Antonio, Chorus of Nobles and Princes, Cleopatra, A Slave, Proculejo, Chorus of Female Slaves)
Track length7:08
Act II: Lieto un raggio (Carmiana, Chorus of Slaves, Cleopatra)
Track length3:52
Act II: Oracoli mendaci! (Cleopatra)
Track length3:02
Act II: Io de' venti vorrei l'audace (Cleopatra)
Track length4:54
Act II: Tu! … Si! … Da me che vuoi? (Cleopatra, Diomede)
Track length5:18
Act II: E credi tu d'Antonio (Diomede, Cleopatra)
Track length4:35
Act III: Di gemme fulgide (Chorus of Maidens, Ottavia)
Track length3:42
Act III: Mentre le dolci immagini (Ottavia, Chorus of Maidens)
Track length3:00
Act III: Suora diletta! … Ottavia all'ara (Cesare, Antonio, Ottavia)
Track length1:22
Act III: Muovi o suora (Cesare, Chorus of Maidens, Antonio, Ottavia)
Track length3:01
Act III: T'affrena o cor (Cesare)
Track length1:16
Act III: Non basta a me (Cesare)
Track length3:21
Act III: Cinto di nubi (Ottavia, Antonio, Cesare, Proculejo, Diomede, Cleopatra)
Track length3:12
Act III: Dunque, indegno all'amor mio (Cleopatra, Antonio, Diomede, Ottavia, Cesare, Proculejo, Chorus of Romans)
Track length5:33
Act III: Ah no!... Che tenti? (Cleopatra, Antonio, Cesare, Diomede, Ottavia, Proculejo, Chorus of Romans)
Track length4:02
Act IV: Azio! … Tremendo nome (Antonio)
Track length2:06
Act IV: In ripensar le vittime cadute (Antonio, Chorus of Egyptian Soldiers)
Track length3:16
Act IV: Amici? … Il popolo al tuo rivale inneggia! (Antonio, Chorus of Egyptian Soldiers)
Track length3:24
Act IV: Al tetro spettacolo di sangue (Cleopatra, Carmiana)
Track length3:18
Act IV: Regina! … Grazia ti rendo (Cesare, Cleopatra)
Track length2:46
Act IV: Che rechi mai? (Cesare, Proculejo, Cleopatra)
Track length4:05
Act IV: A Roma! No, non mai (Cleopatra, Diomede, Cesare, Proculejo, Chorus of Roman Soldiers and People)
Track length3:24
Act IV: Mirate! Di gioia esultante (Cleopatra, Diomede, Cesare, Proculejo, Chorus of Roman Soldiers and People)
Track length6:16

Awards and reviews

June 2011

there are some strongly dramatic scenes, such as where Cleopatra improbably turns up in Rome intending to murder Mary Antony's wife: her two-octave drop at 'Si, Cleopatra!' leads to a powerful ensemble of perplexity...There are no outstanding voices but the performance is strong enough to appeal to anyone curious about the byways of 19th-century opera.

7th April 2011

Rossi, fashionable in the 1840s, was attempting a career revival by clambering on the Egyptology bandwagon made popular by Aida...Rossi's style, meanwhile, is closer to Meyerbeer than Verdi...The best singing comes from Dimitra Theodossiou's smoky-toned Cleopatra and Sebastian Catana's handsomely harassed Diomede.

Opera Now Summer 2011

Dimitra Theodossiou is a sensual Cleopatra and Sebastian Catana Diomede gives a heartfelt performance as the hapless love rival Diomede
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