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Suk: Asrael Symphony, Op. 27

Czech Philharmonic Orchestra, Sir Charles Mackerras

Awards:

Asrael encompasses formal experiment, superb orchestration, a magnificent grasp of scale and, above all, an unerring feel for catharsis...Charles Mackerras's performance encapsulates all of...

Suk: Asrael Symphony, Op. 27

Czech Philharmonic Orchestra, Sir Charles Mackerras

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Awards:

Asrael encompasses formal experiment, superb orchestration, a magnificent grasp of scale and, above all, an unerring feel for catharsis...Charles Mackerras's performance encapsulates all of...

About

Suk’s Asrael – Sir Charles Mackerras’s unreleased recording with the Czech Philharmonic Orchestra.

Josef Suk began writing the funeral symphony Asrael to commemorate his teacher and father-in-law Antonín Dvořák. During the course of work, however, Fate dealt him another crushing blow: Asrael, the Angel of Death, took away Suk’s wife and Dvořák’s daughter, Otilie. The symphony is a story of a suffering whose strength seems simply unendurable, yet also a story of its overcoming, seeking solace and hope.

Sir Charles Mackerras’s live recording of Asrael originated on a Good Friday, 6 April 2007, one hundred years after the symphony’s premiere. The Australian conductor had first heard about the Asrael some sixty years previously from Suk’s close friend, Václav Talich. In later years Mackerras confessed that he perceived the work in a completely different light after his daughter had died. Sir Charles conducted Suk’s Asrael during one of his last performances with the Czech Philharmonic Orchestra. It is also his last previously unreleased recording with this orchestra.

Contents and tracklist

Asrael. Symphony For Large Orchestra In C Minor, Op. 27: I. Andante Sostenuto
Asrael. Symphony For Large Orchestra In C Minor, Op. 27: II. Andante
Asrael. Symphony For Large Orchestra In C Minor, Op. 27: III. Vivace
Asrael. Symphony For Large Orchestra In C Minor, Op. 27: IV. Adagio
Asrael. Symphony For Large Orchestra In C Minor, Op. 27: V. Adagio E Maestoso

Spotlight on this release

  • Suk's Asrael Symphony

    21st Mar 2011by Chris O'Reilly

    In one of his last performances with the Czech Philharmonic Orchestra, the late Sir Charles Mackerras conducts a magnificent account of the underrated 1906 symphony, composed in memory of Suk’s mentor and father-in-law Dvořák.

Awards and reviews

  • Presto Recording of the Week
    21st March 2011
  • Gramophone Awards
    2011
    Finalist - Orchestral
  • BBC Music Magazine
    May 2011
    Orchestral Choice
  • Gramophone Magazine
    June 2011
    Editor's Choice

May 2011

Asrael encompasses formal experiment, superb orchestration, a magnificent grasp of scale and, above all, an unerring feel for catharsis...Charles Mackerras's performance encapsulates all of these qualities...Not only does he see the staggering originality of Suk's vision, but, effortlessly, he folds into his interpretation the depth of his knowledge of the Czech repertoire...this is the closest to the definitive version we have.

June 2011

Mackerras keeps a shrewdly tight rein on Suk's huge structure, while allowing impressive momentum and emotional firepower to build in the big central scherzo movement...a remarkable performance of a remarkable work.

16th April 2011

The Czech Philharmonic’s live performance breathes a conviction and beneath-the-skin rapture that you won’t find in any other recording.

March 2011

There are so many moments that come memorably to life in this reading...the driving energy of Mackerras's conducting is thrilling, and the combination of clarity and warmth that he finds in Suk's orchestral textures comes across impressively...it's quite simply the greatest performance I've ever heard of Asrael

20th March 2011

Mackerras has the advantage of an orchestra that has lived and breathed this music for 100 years — it was premiered exactly a century before these concerts — and his own deep involvement with Czech music gives him persuasive insights.

31st March 2011

Mackerras's performance has a wonderful objectivity about it, as well as a quiet intimacy in the more reflective moments. Superbly played, it's a perfect demonstration of why Mackerras was a great conductor, and of his ability to bring the best out of whoever and whatever he was conducting.
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