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Brahms: Symphonies Nos. 1-4

Radio-Sinfonieorchester Stuttgart des SWR, Roger Norrington

Brahms: Symphonies Nos. 1-4

Awards:

The interplay of divided strings is very clear. The woodwind players are absolutely top-notch, and I especially enjoyed their contributions in the first movement of No. 3, which of all the performances...

Brahms: Symphonies Nos. 1-4

Radio-Sinfonieorchester Stuttgart des SWR, Roger Norrington

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$38.75

320 kbps, MP3

$30.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

The interplay of divided strings is very clear. The woodwind players are absolutely top-notch, and I especially enjoyed their contributions in the first movement of No. 3, which of all the performances...

About

In Norrington’s interpretations of the great romantic Brahms, the works are presented with new clarity and vividness. They are now available on SACD and at a special price. “The vibrato-free Stuttgart strings play with a purity and simplicity….” Gramophone

Contents and tracklist

I. Un poco sostenuto - Allegro
Track length15:51
II. Andante sostenuto
Track length8:25
III. Un poco allegretto e grazioso
Track length4:56
IV. Adagio - Allegro non troppo ma con brio
Track length16:25
I. Allegro non troppo
Track length21:07
This track is only available as an album download.
II. Adagio non troppo
Track length9:00
III. Allegretto grazioso (quasi andantino)
Track length5:11
IV. Allegro con spirito
Track length9:17
I. Allegro con brio
Track length11:55
II. Andante
Track length8:40
III. Poco allegretto
Track length5:49
IV. Allegro
Track length8:26
I. Allegro non troppo
Track length11:43
II. Andante moderato
Track length10:28
III. Allegro giocoso
Track length6:24
IV. Allegro energico e passionato
Track length10:28

Awards and reviews

March 2011

The interplay of divided strings is very clear. The woodwind players are absolutely top-notch, and I especially enjoyed their contributions in the first movement of No. 3, which of all the performances probably comes off best.

March 2011

the modern Stuttgart strings do use vibrato, but sparingly, the leaner textures in no way inhibiting lyricism or sounding anaemic...this is an affectionate memento of how, in Norrington's words, he has tried to 'connect a modern orchestra with its roots'.
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