Stravinsky: Symphonies & Concertos
Robert Johnston (harp), Maxim Vengerov (violin), Michel Béroff (piano), Robert Lloyd (bass), Michael Collins (clarinet)
Northern Sinfonia Orchestra, Los Angeles Chamber Orchestra, Franz Welser-Möst
Highlights in this rather miscellaneous collection are Rattle's expert account of the Symphony in Three Movements, Michel Béroff's characterful performance of the Capriccio, and a sprightly...
Stravinsky: Symphonies & Concertos
Robert Johnston (harp), Maxim Vengerov (violin), Michel Béroff (piano), Robert Lloyd (bass), Michael Collins (clarinet)
Northern Sinfonia Orchestra, Los Angeles Chamber Orchestra, Franz Welser-Möst
Purchase product
Highlights in this rather miscellaneous collection are Rattle's expert account of the Symphony in Three Movements, Michel Béroff's characterful performance of the Capriccio, and a sprightly...
About
Igor Stravinsky (1882-1971) caused a sensation early on in the 20th century with the first performance in 1913 of his ballet Le sacre du printemps (The rite of Spring). This event marked the composer as a musician of the new century and throughout his life Stravinsky remained at the forefront of the musical avant-garde, keeping abreast of musical developments right up to he time of his death. All of the works in this set of orchestral pieces were written during Stravinsky's neo-classical period, which lasted from around 1920 until about 1953, after which he adopted the serial technique first developed by Arnold Schoenberg.
Contents and tracklist
- Northern Sinfonia
- Sir Simon Rattle
- Recorded: 1978-01-03
- Recording Venue: 3 January 1978, Henry Wood Hall, Gosforth, Newcastle upon Tyne
- Elaine Donohoe (piano), Robert Johnston (harp)
- City of Birmingham Symphony Orchestra
- Sir Simon Rattle
- Recorded: 1986-10-04
- Recording Venue: 3 & 4 October 1986, Butterworth Hall, Warwick Arts Centre, University of Warwick
- Maxim Vengerov (violin)
- London Symphony Orchestra
- Mstislav Rostropovich
- Recorded: 1999-06-29
- Recording Venue: 28 & 29 June 1999, No.1 Studio, Abbey Road, London
- Maxim Vengerov (violin)
- London Symphony Orchestra
- Mstislav Rostropovich
- Recorded: 1999-06-29
- Recording Venue: 28 & 29 June 1999, No.1 Studio, Abbey Road, London
- London Philharmonic Orchestra
- Franz Welser-Möst
- Recorded: 1993-02-05
- Recording Venue: 3-5 February 1993. No. 1 Studio, Abbey Road, London
- Los Angeles Chamber Orchestra
- Sir Neville Marriner
- Recorded: 1974-06-26
- Recording Venue: 26th June 1974/Abbey Road Studios, London
- Northern Sinfonia
- Sir Simon Rattle
- Recorded: 1978-01-03
- Recording Venue: 3 January 1978, Henry Wood Hall, Gosforth, Newcastle upon Tyne
- Michael Collins (clarinet)
- London Sinfonietta
- Sir Simon Rattle
- Recorded: 1987-01-03
- Recording Venue: 3 January 1987, CTS Studios, Wembley
- Michel Béroff (piano)
- Orchestre de Paris
- Seiji Ozawa
- Recorded: 1971-10-16
- Recording Venue: Salle Wagram, Paris, 12, 13, 16 October 1971
- Robert Tear (tenor), Yvonne Kenny (soprano), Robert Lloyd (bass)
- Academy of St Martin in the Fields
- Sir Neville Marriner
- Recorded: 1982-07-30
- Recording Venue: 6-7 November 1981 & 30 July 1982, Abbey Road Studios, London
Awards and reviews
April 2011
Highlights in this rather miscellaneous collection are Rattle's expert account of the Symphony in Three Movements, Michel Béroff's characterful performance of the Capriccio, and a sprightly complete Pulcinella from Neville Marriner.