Special offer. Nielsen: Symphonies Nos. 4 & 5
London Symphony Orchestra, Sir Colin Davis
Awards:
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Presto Recording of the Week, 10th January 2011
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BBC Music Magazine, March 2011, Orchestral Choice
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Gramophone Magazine, April 2011, Editor's Choice
[Davis] matches Herbert Blomstedt when it comes to grandeur and sense of the long evolving line, and yet the music also seems to fluid and changeable, and alive on so many levels. Full marks...
Special offer. Nielsen: Symphonies Nos. 4 & 5
London Symphony Orchestra, Sir Colin Davis
Purchase product
Awards:
-
Presto Recording of the Week, 10th January 2011
-
BBC Music Magazine, March 2011, Orchestral Choice
-
Gramophone Magazine, April 2011, Editor's Choice
[Davis] matches Herbert Blomstedt when it comes to grandeur and sense of the long evolving line, and yet the music also seems to fluid and changeable, and alive on so many levels. Full marks...
About
DSD recording, live at the Barbican October 2009 (Symphony No 5) and May 2009 (Symphony No 4).
Despite having been an admirer of the music of Danish composer Carl Nielsen for many years, Sir Colin Davis has rarely conducted any of his works. Now, at the age of 83, Sir Colin embarks on a complete cycle of the composer’s symphonies.
Although Carl Nielsen is frequently compared to his near contemporary Jean Sibelius, each composer’s music is equally individual. Both were celebrated symphonists but used the potential of an orchestra in different ways. Despite giving titles to the majority of his symphonies, Nielsen was often vague about the specific themes for each work. However his music is always direct, dynamic and lyrical.
Sir Colin’s traversal of the symphonies began in concert in 2009. He will conduct the remaining symphonies in 2011 with two further LSO Live releases following in 2012.
Concert reviews:
“Nielsen’s music could have been written for the LSO: the orchestra’s robust sound and free-spirited temperament suit this symphony’s virtuoso demands and visceral dynamism.
Davis, too, is attuned to Nielsen’s brand of Beethovenian conflict. Davis conducted it with the vitality of someone worthy of the symphony’s title, the ‘Inextinguishable’” Financial Times
“this account of the “Inextinguishable” confirmed he and the LSO have something special to offer … he produced an account of fabulous coherence” The Guardian
“Forget old dogs and new tricks, clearly it’s never too late to embark upon a new repertoire strand … this was an auspicious start. I reckon the maestro shed 40 years during this performance” The Independent
Contents and tracklist
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week10th January 2011
-
BBC Music MagazineMarch 2011Orchestral Choice
-
Gramophone MagazineApril 2011Editor's Choice
March 2011
[Davis] matches Herbert Blomstedt when it comes to grandeur and sense of the long evolving line, and yet the music also seems to fluid and changeable, and alive on so many levels. Full marks to Davis, too, sustaining the momentum through the finale's Adagio fugue in No. 5...Credit too for using the new critical editions of both scores.
April 2011
Both these interpretations, recorded live at the Barbican, surge along with the full-throated splendour that is a London Symphony Orchestra trademark. In the magnificent Fifth Symphony...Davis's control of pace unfolds a performance of wonderful, unexaggerated drama and humanity, as fine as any I've heard.
April 2011
At last! Nielsen's two best-known symphonies in modern performances with real fire in their belly...[Davis] brings such animal excitement to the task, such a thrilling sense of discovery and existential danger...Davis shows a remarkable instinct for the paradoxical complexity of the moment in Nielsen, as well as for the broader trajectory of his musical thinking.
March 2011
This is music in which the creative act is no longer a virtue but a necessity, and it is this unequivocal aspect Davis conveys in a performance which maintains onward drive at all costs...With forward yet sonorous SACD sound that is among the best that LSO Live has yet achieved, this disc bodes well for the rest of Davis's Nielsen cycle over the coming year.
13th January 2011
Nielsen's last two symphonies form a response to the first world war and its aftermath...Their uncompromising nature is often fearfully enhanced in this pair of hard-hitting live performances from Colin Davis and the LSO...The playing and recording are both exemplary
4th February 2011
Nielsen is still not part of the regular concert-hall repertoire in Britain, but if anything could persuade you that he should be, it’s these vivid and dramatic performances... The London Symphony Orchestra rises to the challenges magnificently, throwing contrasts into high relief, and punching out the rhythms on brass and percussion. Colin Davis conducts expertly.