Bach, J S: Christmas Oratorio, BWV248
Ingeborg Danz (alto), Christoph Genz (tenor arias), Martin Petzold (tenor recitative), Panajotis Iconomou (bass), Paul Bernewitz, Friedrich Praetorius (boy sopranos)
Thomanerchor Leipzig (St Thomas’s Boys Choir) & Gewandhausorchester, Georg Christoph Biller (direction)
Crucially, all Biller's soprano solos are drawn from within the choir, producing a timbre close to what Bach must have heard...the sound of the St Thomas Choir is a hugely potent 'plus' in the...
Bach, J S: Christmas Oratorio, BWV248
Ingeborg Danz (alto), Christoph Genz (tenor arias), Martin Petzold (tenor recitative), Panajotis Iconomou (bass), Paul Bernewitz, Friedrich Praetorius (boy sopranos)
Thomanerchor Leipzig (St Thomas’s Boys Choir) & Gewandhausorchester, Georg Christoph Biller (direction)
Purchase product
Crucially, all Biller's soprano solos are drawn from within the choir, producing a timbre close to what Bach must have heard...the sound of the St Thomas Choir is a hugely potent 'plus' in the...
About
Some of the best boys choirs have performed Bach’s Christmas oratorio in splendid fashion over the past decades. In this recording, with St Thomas’s Boys Choir, under the baton of the present cantor at St Thomas, Georg Christoph Biller, the listener will hear a historically informed performance. As intended by Bach, the words from the Bible and the sermon texts of the arias are the work’s focus. In practice, this means that the singers and the choir are the sounding core, not the instruments.
Performed in the historic location of St. Thomas’ Leipzig – and informed by Biller’s abundant knowledge of Bach’s practice, this recording has a very special appeal.
Contents and tracklist
- Martin Petzold (tenor), Ingeborg Danz (alto), Paul Bernewitz (boy soprano), Friedrich Praetorius (boy soprano), Panajotis Iconomou (bass), Christoph Genz (tenor)
- Thomanerchor, Gewandhausorchester Leipzig
- Georg Christoph Biller
Awards and reviews
January 2011
Crucially, all Biller's soprano solos are drawn from within the choir, producing a timbre close to what Bach must have heard...the sound of the St Thomas Choir is a hugely potent 'plus' in the search for truthfulness, particuarly when the sopranos hold a descant choral line, or lend wide-eyed poise to aria, duo or trio
November 2013
the once-stodgy Gewandhaus's graps of current Baroque stylistic orthodoxy under Thomascantor Biller seems total...[the choir] have a typically fruity German boy sound, never seem like 84 singers (in a good way), and, despite strong underlying discipline, seem able to enjoy the more joyous moments with true enthusiasm.