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Special offer. Spohr & Onslow: Nonets

Kate Clark (flute & direction)

Osmosis

Spohr & Onslow: Nonets
Spohr's work belongs to 1813 and the world of his fellow student Weber, and its elegance is well conveyed in this attractive performance...the grasp of [Onslow's] idiom and the sympathetic response...

Special offer. Spohr & Onslow: Nonets

Kate Clark (flute & direction)

Osmosis

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CD

Original price $18.75 Reduced price $15.00

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From Original price $9.25 Reduced price $6.50

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.75) Reduced price $9.50

320 kbps, MP3

Original price ($9.25) Reduced price $6.50

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Spohr's work belongs to 1813 and the world of his fellow student Weber, and its elegance is well conveyed in this attractive performance...the grasp of [Onslow's] idiom and the sympathetic response...

About

In this recording Ramée present two pieces of early romantic music for wind ensemble. Spohr's nonet of 1813 is the first written for this particular combination of instruments and makes conscious use of the distinctive qualities and idiosyncrasies of each.

Onslow's nonet (recorded for the first time on historical instruments) is startling from the very first bar! The force and volume of his opening declamation, the virtuosity of the violin's first flourishes, and the enormous range in each of the parts give the piece a distinctly 'modern' feel. By comparison with Spohr's nonet this piece is the child of a different Zeitgeist.

Contents and tracklist

I. Allegro spirituoso
Track length10:06
II. Scherzo. Agitato
Track length4:47
III. Tema con variazioni. Andantino con moto
Track length10:28
IV. Finale. Largo, Allegretto quasi Allegro
Track length8:33
I. Allegro
Track length12:04
II. Allegro. Scherzo, Trio I, Trio II
Track length7:00
III. Adagio
Track length7:17
IV. Finale. Vivace
Track length8:43

Awards and reviews

March 2011

Spohr's work belongs to 1813 and the world of his fellow student Weber, and its elegance is well conveyed in this attractive performance...the grasp of [Onslow's] idiom and the sympathetic response of the players make this a most enjoyable performance.

May 2011

The sound of the full ensemble is pleasingly orchestral, both [in the Spohr] and in the Onslow; the performances are uniformly excellent and the disc is fine listening throughout.
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