Special offer. Buxtehude: Complete Harpsichord Music
Simone Stella (harpsichord)
here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance. Indeed, he sometimes misses the edgy danger Koopman brings...
Special offer. Buxtehude: Complete Harpsichord Music
Simone Stella (harpsichord)
Purchase product
here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance. Indeed, he sometimes misses the edgy danger Koopman brings...
About
Dietrich Buxtehude (c.1637–1707) spent his career working as an organist in churches, but was also a prolific composer of secular instrumental music and wrote far more for harpsichord than most composers of his era.
Buxtehude’s position in Lübeck and fame as an organist brought him into contact with many of the greatest musicians of his day, and his style demonstrates the variety of musical influences that he was exposed to, particularly from German and Italian repertoire, which he combined to create a unique personal style.
This set of 4 CDs collects together Buxtehude’s complete music for harpsichord, including suites in the popular French style, several works that can be played effectively on both organ and harpsichord (including preludes, fugues, canzonas and choral elaborations), and variations on arias, which showcase the composer’s creativity and ability to compose music in a variety of styles.
Among the works featured are two new authentic harpsichord suites, discovered in 2004 and 2005, and the monumental La Capricciosa, one of the largest and most innovative solo keyboard works of the 17th century. Performed by Simone Stella, who has previously played Buxtehude’s complete organ music in a series of concerts, this collection is a comprehensive overview of the harpsichord music of a composer seen by many as J.S. Bach’s true predecessor.
Contents and tracklist
Awards and reviews
August 2012
here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance. Indeed, he sometimes misses the edgy danger Koopman brings to Buxtehude's boldest strokes, but he's an unfailingly intelligent and revealing guide to a body of work that cries out to be better known.
5th December 2013
you can hardly go wrong with Stella's performances which are very good. He uses the harpsichord well and explores its various stops, mostly in a convincing and stylistically appropriate manner.