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Stanley Bate & Richard Arnell: Symphonies

Royal Scottish National Orchestra, Martin Yates (conductor)

[The Bate] is a grippingly argued utterance, full of durable invention, compellingly paced...[The Arnell] is a big-hearted statement, often angular and not afraid of embracing dissonance, yet...

Stanley Bate & Richard Arnell: Symphonies

Royal Scottish National Orchestra, Martin Yates (conductor)

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[The Bate] is a grippingly argued utterance, full of durable invention, compellingly paced...[The Arnell] is a big-hearted statement, often angular and not afraid of embracing dissonance, yet...

About

Dutton Epoch’s seven outstanding classical releases for November 2010 include the third volume of its Stanley Bate series. Bate died in his forties in 1959, but, responding to continuing listeners’ requests, Dutton Epoch have already successfully recorded the soaring Viola Concerto and the coruscating wartime Third Symphony. We now reach the powerful Fourth Symphony, dating from the mid-1950s, and possibly the most rewarding Bate discovery thus far. Martin Yates and the Royal Scottish National Orchestra couple it with Martin Yates’ own completion of Richard Arnell’s Seventh Symphony, a heroic and affirmative work celebrating the life of Nelson Mandela. This remarkable programme presents major finds, which all CD collectors will want to explore.

World premiere recordings: recorded at RSNO Centre, Henry Wood Hall, Glasgow, 3th - 4th June 2010

Contents and tracklist

I. Andante moderato – Allegro
Track length10:16
II. Andante
Track length10:38
III. Presto
Track length4:55
IV. Moderato
Track length11:11
I. Con moto - Maestoso
Track length9:11
II. Andante serioso
Track length15:50
III. Andante con moto e maestoso - Andante semplice - Maestoso - Adagio - A tempo più mosso
Track length11:40

Awards and reviews

April 2011

[The Bate] is a grippingly argued utterance, full of durable invention, compellingly paced...[The Arnell] is a big-hearted statement, often angular and not afraid of embracing dissonance, yet culminating in a disarmingly simple 'big tune' ...In both works the RSNO responds with heaps of spirit and commendable polish for Martin Yates

January 2011

The music is powerful and heartfelt, and it strikes a good balance between the frankly melodic appeal of Arnell's earlier works and more dissonant and fragmented gestures indicative of his absorption of later, more radical techniques...The coupling [Bate] is no less notable...Yates has a strong sense of the architecture of both symphonies and of their complex emotional cross-currents.
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