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Gesualdo: Madrigali libro secondo, 1594

Alessandro Carmignani, Paolo Costa, Fabio Fùrnari, Raffaele Giordani, Marco Scavazza & Walter Testolin

Delitiæ Musicæ, Marco Longhini

Gesualdo: Madrigali libro secondo, 1594
I've found myself warming to the overall approach, which is relaxed and unhurried. This, combined with the ensemble's sound, securely underpinned by Walter Testolin's bass, allows points of...

Gesualdo: Madrigali libro secondo, 1594

Alessandro Carmignani, Paolo Costa, Fabio Fùrnari, Raffaele Giordani, Marco Scavazza & Walter Testolin

Delitiæ Musicæ, Marco Longhini

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I've found myself warming to the overall approach, which is relaxed and unhurried. This, combined with the ensemble's sound, securely underpinned by Walter Testolin's bass, allows points of...

About

Gesualdo’s Second Book of Madrigals, performed on this recording by male voices only, is an even more radical study of the themes explored in Volume 1 (8570548), a continuation as it were of the same work.

Like Book 1, it was published in 1594 in Ferrara during the preparations for Gesualdo’s second wedding, and demonstrates his ability to treat the poetic word as a source of musical ideas.

The last two tracks present Gesualdo’s only two instrumental compositions.

Contents and tracklist

Caro amoroso neo
Track length2:09
Ma se tale ha costei
Track length1:56
Se per lieve ferita
Track length2:03
Che sentir deve il petto
Track length2:43
Se così dolce e il duolo
Track length1:20
Ma se avverra ch'io moia
Track length2:38
O com'e gran martire
Track length1:57
O mio soave ardore
Track length1:20
Non e questa la mano
Track length1:23
Ne tien face o saetta
Track length2:43
Dalle odorate spoglie
Track length1:15
E quell'arpa felice
Track length1:40

Awards and reviews

February 2011

I've found myself warming to the overall approach, which is relaxed and unhurried. This, combined with the ensemble's sound, securely underpinned by Walter Testolin's bass, allows points of detail to tell (for example, final or sectional cadences) that might otherwise be skated over.

20th January 2011

for the most part the 20 settings in book two...mostly inhabit the musical world of Gesualdo's older contemporaries such as De Rore and De Wert. But even if they broke no new ground, these are still pieces of great beauty and lyrical force, as the performances by the six male voices of Delitiae Musicae show.
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