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Schumann: Dichterliebe

and selected songs

Daniel Johannsen (tenor) & Elena Larina (piano)

By nature, the Austrian tenor's voice is clear in definition and tone...It sounds like the expression of a sharp mind with a good deal of cunning about it - this is Dichterliebe sung by Wagner's...

Schumann: Dichterliebe

and selected songs

Daniel Johannsen (tenor) & Elena Larina (piano)

Purchase product

CD

$19.75

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Stream now Hi-RES 44.1 kHz, 24 bit
By nature, the Austrian tenor's voice is clear in definition and tone...It sounds like the expression of a sharp mind with a good deal of cunning about it - this is Dichterliebe sung by Wagner's...

About

The most prolific period of Schumann’s vocal composition began in 1840, in which he composed more than 140 songs, with the culmination being Dichterliebe. Award-winning tenor Daniel Johannsen and his duo partner, Elena Larina, consistently emphasize the compositional subtleties of these fine songs.

Contents and tracklist

No. 1 in A Minor, Der Knabe mit dem Wunderhorn
Track length2:07
No. 2 in D Major, Der Page
Track length2:58
No. 3 in B-Flat Major, Der Hildalgo
Track length2:43
No. 1, Im wunderschönen Monat Mai
Track length1:28
No. 2, Aus meinen Tränen sprießen
Track length0:55
No. 3, Die Rose, die Lilie
Track length0:38
No. 4, Wenn ich in deine Augen seh'
Track length1:37
No. 5, Ich will meine Seele tauchen
Track length0:55
No. 6, Im Rhein, im heiligen Strome
Track length2:45
No. 7, Ich grolle nicht
Track length1:47
No. 8, Und wüssten's die Blumen
Track length1:20
No. 9, Das ist ein Flöten und Geigen
Track length1:40
No. 10, Hör' ich das Liedchen klingen
Track length1:46
No. 11, Ein Jüngling liebt ein Mädchen
Track length1:02
No. 12, Am leuchtenden Sommermorgen
Track length2:06
No. 13, Ich hab' im Traum geweinet
Track length2:23
No. 14, Allnächtlich im Traume
Track length1:25
No. 15, Aus alten Märchen winkt es
Track length2:20
No. 16, Die alten, bösen Lieder
Track length3:49

Awards and reviews

December 2010

By nature, the Austrian tenor's voice is clear in definition and tone...It sounds like the expression of a sharp mind with a good deal of cunning about it - this is Dichterliebe sung by Wagner's Loge...Larina (we must suppose) sees the role of the pianist in this score not as part of the poet's introspective, lyrical mind but as an external, dramatic commentary.
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