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Idil Biret Beethoven Edition - Volume 17

Piano Sonatas Volume 8

Idil Biret (piano)

Biret grasps the size of Beethoven’s style. The polyphony is laid out in a relaxed way with little indulgence in point making. She keeps the big line and yet is thankfully sparing in her use...

Idil Biret Beethoven Edition - Volume 17

Piano Sonatas Volume 8

Idil Biret (piano)

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Biret grasps the size of Beethoven’s style. The polyphony is laid out in a relaxed way with little indulgence in point making. She keeps the big line and yet is thankfully sparing in her use...

About

Recorded: September 2002 (Op. 22 and Op. 31, No. 1), October 2006 (Op. 31, No. 2) in Brussels, Belgium

“To play Beethoven’s Piano Sonata in G major, op.31 no. 1 in front of and ‘in the shadow of’ Wilhelm Backhaus, on his 85th birthday, must certainly be the highest demand on a young interpreter. Idil Biret has taken up this challenge and brilliantly overcome it. Her playing is full of temperament and nerve, her technical skill as impressive as her sense of shape and nuances. When at the end of the concert Backhaus so cordially thanked his colleague, she was entitled to consider this as being ‘knighted’”. FRANKFURTER ALLGEMEINE ZEITUNG

“Especially with Beethoven Idil Biret proved herself a great artist with breathtaking depth of expression and dramatic performing power…The big applause was fully deserved.” KURIER (Vienna)

Contents and tracklist

I. Allegro con brio
Track length7:16
II. Adagio con molta espressione
Track length8:21
III. Minuetto
Track length3:35
IV. Rondo. Allegretto
Track length6:20
I. Allegro vivace
Track length7:15
II. Adagio grazioso
Track length9:41
III. Rondo. Allegretto
Track length6:35
I. Largo - Allegro
Track length9:07
II. Adagio
Track length10:36
III. Allegretto
Track length7:24

Awards and reviews

Biret grasps the size of Beethoven’s style. The polyphony is laid out in a relaxed way with little indulgence in point making. She keeps the big line and yet is thankfully sparing in her use of fortissimos. The piano tone is sumptuous. Biret’s gentle and almost sensuous sonorities are really captivating. One is reminded that her mentor is Wilhelm Kempff.
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