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Weinberg: Complete Violin Sonatas Volume 1

Yuri Kalnits (violin) & Michael Csányi-Wills (piano)

[Kalnits and Csanyi-Wills] prove uber-sensitive to Weinberg's harmonic push-pull, and Kalnit's performance of the Sonata No. 1 for Violin Solo (1964) rolls with the technical punches like a...

Weinberg: Complete Violin Sonatas Volume 1

Yuri Kalnits (violin) & Michael Csányi-Wills (piano)

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[Kalnits and Csanyi-Wills] prove uber-sensitive to Weinberg's harmonic push-pull, and Kalnit's performance of the Sonata No. 1 for Violin Solo (1964) rolls with the technical punches like a...

About

Since his death in 1996, the music of Mieczysław Weinberg is being discovered by musicians and listeners all around the world.

He had a remarkable life story. Born in Warsaw in 1919, his early musical experiences were as pianist and ensemble leader at a Jewish theatre where his father was composer and violinist. In 1939, though, his parents and sister were murdered in the German occupation and he fled to Belorussia, finally ending up in Moscow where he lived for the rest of his life.

He had a close connection with Shostakovich; it was originally at Shostakovich’s invitation that he moved to Moscow, and when he was imprisoned in 1953 at the height of Stalin’s anti-Semitic purges it was Shostakovich who got him out.

He never exploited his ‘victimhood’, instead celebrating his adopted country, and had many titles conferred on him including ‘Honoured Artist of the Russian Republic’, ‘People’s Artist of the Russian Republic’ and ‘State Prize of the USSR’.

His vast output includes 26 symphonies, seven operas, seventeen string quartets and much other chamber music, and some 200 songs.

His style has much in common with Shostakovich: fluent contrapuntal skill, an acute sense of drama and a keen feeling for melody, often inflected with Jewish cantilena.

Produced in association with the International Centre for Suppressed Music.

Contents and tracklist

I. Allegro
Track length6:04
II. Adagietto
Track length6:59
III. Allegro
Track length8:55
I. Adagio - Allegro - Adagio
Track length5:23
II. Andante
Track length6:10
III. Allegretto
Track length3:50
IV. Lento
Track length3:28
V. Presto
Track length5:46
I. Adagio
Track length8:57
II. Allegro ma non troppo. III. Adagio tenuto molto rubato - Adagio primo
Track length7:44
I. Allegretto
Track length4:59
II. Lento - Allegro - Tempo primo
Track length5:42
III. Allegro moderato - Lento
Track length4:04

Awards and reviews

Awards Issue 2011

[Kalnits and Csanyi-Wills] prove uber-sensitive to Weinberg's harmonic push-pull, and Kalnit's performance of the Sonata No. 1 for Violin Solo (1964) rolls with the technical punches like a true heavyweight...and I like the way Kalnits resists any temptation to smooth off these structural disjoints, accepting that this material is irreconcilable...Volume 2 soon, please

March 2011

Kalnits, whose technique and musicality are tested to the limit in this utterly uncompromising Solo Sonata, proves a superb exponent of Weinberg's violin writing. His rich and noble tone and range of colour are matched by an intense sympathy and identification with the composer's undoubtedly complex musical personality.
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