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Special offer. JS Bach: Magnificat

Dorothee Mields (soprano), Johannette Zomer (soprano), William Towers (alto), Charles Daniels (tenor) & Stephan MacLeod (bass)

The Netherlands Bach Society, Jos van Veldhoven

JS Bach: Magnificat
Veldhoven adopts a comfortable tempo with somewhat laid-back articulation for the resplendent opening and concluding choruses

Special offer. JS Bach: Magnificat

Dorothee Mields (soprano), Johannette Zomer (soprano), William Towers (alto), Charles Daniels (tenor) & Stephan MacLeod (bass)

The Netherlands Bach Society, Jos van Veldhoven

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit
Veldhoven adopts a comfortable tempo with somewhat laid-back articulation for the resplendent opening and concluding choruses

About

All the music on this CD is associated with the festival of Christmas. Bach wrote the cantata Unser Mund sei voll Lachens (BWV 110) for morning service on Christmas Day 1725, and the first version of the Magnificat in E flat major (BWV 243a) for Vespers on Christmas Day 1723, seven months after the Leipzig town council appointed him cantor of the Thomaskirche. It would hardly be exaggerating to say that Bach thus presented his visiting card to his new employer. According to the Bach scholar Christoph Wolff, the work is his "first really large-scale and complex piece of church music".

'Christmas was not the only occasion to sing the Magnificat text, however, for it was also a standard part of the Vespers liturgy. This may explain why Bach made a second version some years later (in D major, BWV 243). (...) For a Christmas CD in the year 2010 it is obviously attractive to add new movements to Bach's Magnificat, entirely in keeping with the tradition of the seventeenth and eighteenth centuries. His own choice, in the E flat major version, remains unsurpassed. By adding extra Christmas music to the second version in D major, however, a new and unexpected form arises which lends the performance a certain topicality. What is more, it gives us the opportunity to present Bach with several Netherlands composers of the seventeenth century. Jos van Veldhoven (from: liner notes)

Contents and tracklist

I. Unser Mund sei voll Lachens
Track length6:32
II. Ihr Gedanken und ihr Sinnen (Tenor)
Track length4:01
III. Dir, Herr, ist niemand gleich (Bass)
Track length0:32
IV. Ach Herr! was ist ein Menschenkind (Alto)
Track length4:59
V. Ehre sei Gott in der Höhe (Soprano, Alto)
Track length3:23
VI. Wacht auf, ihr Adern und ihr Glieder (Bass)
Track length4:00
VII. Alleluja! Gelobt sei Gott (Chorus)
Track length0:58

Awards and reviews

July 2011

Veldhoven adopts a comfortable tempo with somewhat laid-back articulation for the resplendent opening and concluding choruses

January 2011

The inserted carols generate a genuinely yuletide flavour, contrasting well with Bach's familiar music...a beautifully articulated, elegant interpretation, supported by a period orchestra playing with a festive sense of purpose.. There are also some lovely soloist moments, for instance Dorothee Mields' pure-toned Quia respexit humilitatem.

January 2011

[Mields and Zomer] both carry their verses with seasoned poise...the sepia-like "Et misericordia" finds a rare tenderness, and "Deposuit" from Charles Daniels is brilliantly executed...There's much to admire in the fruity and vibrant choral and instrumental ensemble of the Netherlands Bach Society.
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