Haydn: Il mondo della luna
Dietrich Henschel (Buonafede), Vivica Genaux (Ernesto), Bernard Richter (Ecclitico), Christina Landshamer (Clarice), Maite Beaumont (Lisetta), Markus Schafer (Cecco)
Concentus Musicus Wien, Nikolaus Harnoncourt (conductor) & Tobias Moretti (director)
With the ever-responsive Concentus Musicus, [Harnoncourt] duly mines the comically disruptive potential of Haydn's music with unabashed glee... The comic leads are ideally cast...an inventive,...
Haydn: Il mondo della luna
Dietrich Henschel (Buonafede), Vivica Genaux (Ernesto), Bernard Richter (Ecclitico), Christina Landshamer (Clarice), Maite Beaumont (Lisetta), Markus Schafer (Cecco)
Concentus Musicus Wien, Nikolaus Harnoncourt (conductor) & Tobias Moretti (director)
Purchase product
With the ever-responsive Concentus Musicus, [Harnoncourt] duly mines the comically disruptive potential of Haydn's music with unabashed glee... The comic leads are ideally cast...an inventive,...
About
First Haydn Il Mondo della Luna (which has blissful Mozartian spirit) available on DVD and Blu-ray!
Live recording from Theatre an der Wien, 2009.
Nikolaus Harnoncourt created an interpretation in which Haydn’s work can become a veritable gem of opera literature.
Renowned actor and director Tobias Moretti relates the story as a light-footed, magical fairy tale infused with slapstick, witty details and fantasy costumes.
Bonus Interview with Harnoncourt (26 min.)
“Harnoncourt on top form” 4 star rating Financial Times
Running Time Total: 193 minutes (Opera ´167 + ´26 Bonus ´)
Picture 16:9, HD
Sound DVD/BD: DTS 5.1, PCM Stereo
Subtitles Italian, English, German, French
Booklet English, German, French
Contents and tracklist
- Dietrich Henschel (Buonafede), Vivica Genaux (Ernesto), Bernard Richter (Ecclitico), Christina Landshamer (Clarice), Maite Beaumont (Lisetta), Markus Schafer (Cecco)
- Concentus musicus Wien
- Nikolaus Harnoncourt (conductor) & Tobias Moretti (director)
Awards and reviews
January 2010
With the ever-responsive Concentus Musicus, [Harnoncourt] duly mines the comically disruptive potential of Haydn's music with unabashed glee... The comic leads are ideally cast...an inventive, thoroughly entertaining performance of a zany, sometimes touching comedy. If you're still sceptical about Haydn's operas, this may convert you.
January 2011
[Genaux] sings with easy flexibility and sophisticated style...The rich-voiced mezzo Maite Beaumont's Lisetta does well with the patter...Bahrmann sings strongly, with fine coloratura...[Harnoncourt] is at the helm of his ensemble, the Concentus Musicus Wien, which responds to his every intention with spirited accomplishment.