Bach Cantatas Volume 18
Cantatas for Christmas Day, Cantatas for the First Sunday after Epiphany & Cantatas for the Feast of Epiphany
Claron McFadden (soprano), Bernarda Fink (mezzo), Sally Bruce-Payne (alto), Michael Chance (countertenor), James Gilchrist (tenor), Christopher Genz, Dietrich Henschel (baritones)
The Monteverdi Choir & The English Baroque Soloists, John Eliot Gardiner
Awards:
-
Gramophone Magazine, December 2010, Editor's Choice
The two strongly contrasting arias [of BWV 63], both duets, are expressively sung but it is Bernarda Fink's beautifully controlled, extended recitative which stands out for its tender articulation...James...
Bach Cantatas Volume 18
Cantatas for Christmas Day, Cantatas for the First Sunday after Epiphany & Cantatas for the Feast of Epiphany
Claron McFadden (soprano), Bernarda Fink (mezzo), Sally Bruce-Payne (alto), Michael Chance (countertenor), James Gilchrist (tenor), Christopher Genz, Dietrich Henschel (baritones)
The Monteverdi Choir & The English Baroque Soloists, John Eliot Gardiner
Purchase product
Awards:
-
Gramophone Magazine, December 2010, Editor's Choice
The two strongly contrasting arias [of BWV 63], both duets, are expressively sung but it is Bernarda Fink's beautifully controlled, extended recitative which stands out for its tender articulation...James...
About
Recording locations: Recorded live in Weimar/ Leipzig/ Hamburg, December 1999/ January 2000.
SDG174 is the much awaited last volume of the Bach Cantatas Pilgrimage, one of the most talked about musical events of the last decade.
This is an anthology of the Christmas period, combining cantatas for Christmas Day and the Epiphany.
It features ten acclaimed soloists, including Magdalena Kožená, Bernarda Fink, Michael Chance, James Gilchrist and Christopher Genz.
The album opens with Christen, ätzet diesen Tag (“Christians, engrave this Day”), which was performed on Christmas Day 1999 to launch the year-long pilgrimage. This is one of Bach’s best known cantatas. The accompagnato recit was sung by Bernarda Fink to great acclaim.
Gloria in Excelsis Deo, the song of the angels at the birth of baby Jesus, is best known as the Gloria in the B Minor Mass.
Sie werden aus Saba alle kommen (“All they from Sheba shall come”) describes the procession of the three magi. Bach conveys the majesty of the scene by using high horns, and the recorders and oboes da caccia create an Eastern-like atmosphere.
The cantatas on this album display a great variety of dramatic expression. Both Mein Liebster Jesus ist verloren (“My dearest Jesus is lost”) and Liebster Jesu, mein Verlangen (”Beloved Jesus, my Desire“) tell the same story, but in a different style, expressing different emotions.
This album was recorded at Weimar’s Herderkirche, Leipzig’s Nikolaikirche and Hamburg’s Hauptikirche St Jakobi.
SDG174 is packaged with a separate index sheet of the Cantata series.
“This ongoing recording project ranks as one of the musical events of the decade.” The Observer
“One of the most ambitious musical projects of all time” Gramophone
Contents and tracklist
- Sally Bruce-Payne, James Gilchrist, Peter Harvey
- Monteverdi Choir, English Baroque Soloists
- Sir John Eliot Gardiner
Awards and reviews
-
Gramophone MagazineDecember 2010Editor's Choice
Christmas 2010
The two strongly contrasting arias [of BWV 63], both duets, are expressively sung but it is Bernarda Fink's beautifully controlled, extended recitative which stands out for its tender articulation...James Gilchrist makes a fine contribution...notably in the solo tenor cantata 'Ich armer Mensch'
February 2011
Bernarda Fink brings a moving sense of wonder to her accompanied recitative. From time to time, you feel that the performers are flying by the seat of their pants, but the commitment and enjoyment shine through.
December 2010
There are countless highlights in the final two volumes. The duet-singing in BWV32 between Claron McFadden and Peter Harvey is memorably rewarding. Similarly cathartic is the peerless, reassuring expression of eternal union in the great duet of BWV154 with Michael Chance and James Gilchrist.
10th October 2010
The variety of these works for Christmas and Epiphany is astonishing, and the singing, from the Monteverdi Choir and soloists including Magdalena Kozena, fully matches it.
26th November 2010
As before, performances offer the zinging energy, heartfelt beauty and occasional warts of the best live music-making...Christmas jubilation never turns strident. Elsewhere, Gardiner’s forces radiate quiet intensity in the tragedy and pathos of BWV 123, Liebster Immanuel — music of simple sobriety, powerful enough to stop the world turning.
The Independent on Sunday 31st October 2010
With 10 top-flight soloists, it brings this awe-inspiring project to a powerful end.