Bach Cantatas Volume 12
Cantatas for the Twenty-second Sunday after Trinity & Cantatas for the Twenty-third Sunday after Trinity
Susan Hamilton, Gillian Keith, Joanne Lunn (sopranos), Hilary Summers (alto), Robin Tyson (countertenor), James Gilchrist, William Kendall (tenors), Peter Harvey (bass)
The Monteverdi Choir & The English Baroque Soloists, John Eliot Gardiner
Gardiner with his characteristic sense of theatre imbues [the opening of BWV140] with urgency and anticipation. BWV 115 is masterly throughout.
Bach Cantatas Volume 12
Cantatas for the Twenty-second Sunday after Trinity & Cantatas for the Twenty-third Sunday after Trinity
Susan Hamilton, Gillian Keith, Joanne Lunn (sopranos), Hilary Summers (alto), Robin Tyson (countertenor), James Gilchrist, William Kendall (tenors), Peter Harvey (bass)
The Monteverdi Choir & The English Baroque Soloists, John Eliot Gardiner
Purchase product
Gardiner with his characteristic sense of theatre imbues [the opening of BWV140] with urgency and anticipation. BWV 115 is masterly throughout.
About
Recording locations: Tooting/ Winchester, November 2000.
SDG is delighted to release Volume 12 - Cantatas for the twenty-second and twenty-third Sundays after trinity.
John Eliot Gardiner, The Monteverdi Choir and The English Baroque Soloists performed both of these programmes in England: at All Saints church in Tooting and at Winchester Cathedral, in November 2000.
The soloists include James Gilchrist, Peter Harvey and Joanne Lunn.
The highlight of this album is Wachet auf, ruft uns die Stimme (“Sleepers, wake”) – one of Bach’s best known cantatas, and one that has long been part of the Monteverdi Choir’s repertoire. It is described as “a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order”.
Ich armer Mensch, ich Sündenknecht (“I, wretched man, I slave to sin”) is Bach’s only cantata for solo tenor still in existence. It is sung movingly by James Gilchrist.
Of three cantatas on the parable of the unjust steward (BWV 55, 89, 115), Mache dich, mein Geist, bereit (“Prepare yourself, my soul”) is considered to stand out for its subtle instrumental writing and spellbinding arias, which evoke the yearning of the soul for divine mercy.
The recording in Tooting (CD1) is the only one in the whole series that wasn’t recorded live: the original concert took place in Eton chapel, right under the Heathrow airport flight path, so we had to try and recreate the same conditions in a quieter place.
This album is packaged with a separate index sheet of the Cantata series.
“This ongoing recording project ranks as one of the musical events of the decade.” The Observer
“One of the most ambitious musical projects of all time” Gramophone
Contents and tracklist
- Susan Hamilton, Hilary Summers, William Kendall, Peter Harvey
- Monteverdi Choir, English Baroque Soloists
- Sir John Eliot Gardiner
- Susan Hamilton, William Kendall, Peter Harvey
- Monteverdi Choir, English Baroque Soloists
- Sir John Eliot Gardiner
Awards and reviews
Christmas 2010
Gardiner with his characteristic sense of theatre imbues [the opening of BWV140] with urgency and anticipation. BWV 115 is masterly throughout.
December 2010
There are countless highlights in the final two volumes...Gillian Keith is gloriously assuaging in "Ich halte er mit dem lieben Gott" from BWV52.