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Hans Huber: Symphony No. 2 'Böcklin'

Stuttgarter Philharmoniker, Jörg-Peter Weigle

Hans Huber: Symphony No. 2 'Böcklin'
So airy is some of the orchestration that we are almost into Berlioz at his most impressionistic as in Symphonie Fantastique. Set off against this a Brahmsian gravitas. The performance is excellent...

Hans Huber: Symphony No. 2 'Böcklin'

Stuttgarter Philharmoniker, Jörg-Peter Weigle

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So airy is some of the orchestration that we are almost into Berlioz at his most impressionistic as in Symphonie Fantastique. Set off against this a Brahmsian gravitas. The performance is excellent...

About

An absolute revelation. A truly great discovery of a very individual romantic composer, well established during his lifetime and then, quite shamefully, forgotten. Huber was the leading romantic composer in Switzerland at the end of the last century. Partly individual, partly in Brahmsian style, his works show all great mastery of orchestral writing.

Contents and tracklist

I. Allegro Con Fuoco
Track length12:04
This track is only available as an album download.
II. Allegro Con Fuoco Non Troppo
Track length8:56
III. Adaigo Ma Non Troppo
Track length7:54
IV. Finale, Metamorphosen - Grave
Track length0:30
IV. Finale, Metamorphosen (Thema)
Track length0:38
IV. Finale, Metamorphosen (No. 1 "Meeresstille")
Track length0:36
IV. Finale, Metamorphosen (No. 2 "in Prometheus")
Track length0:48
IV. Finale, Metamorphosen (No. 3 "Flotende Nymphe")
Track length1:22
IV. Finale, Metamorphosen (No. 4 "Die Nacht")
Track length1:33
IV. Finale, Metamorphosen (No. 5 "Spiel Der Wellen")
Track length1:31
IV. Finale, Metamorphosen (Der Einsiedler, Von Einem Marienbilde)
Track length1:46
IV. Finale, Metamorphosen (No. 6 "Die Gefilde Der Seligen")
Track length0:59
IV. Finale, Metamorphosen (No. 7 "Liebesfruhling")
Track length0:54
IV. Finale, Metamorphosen (No. 8 "Bacchanale")
Track length3:21

Awards and reviews

So airy is some of the orchestration that we are almost into Berlioz at his most impressionistic as in Symphonie Fantastique. Set off against this a Brahmsian gravitas. The performance is excellent - infused with flammable temperament and an impressive unanimity of attack. A welcome change from Dvorák 5 and 6. Do try it!
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