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Christophe Rousset plays Louis Couperin

Christophe Rousset (harpsichord Louis Denis 1658 restored by Reinhard von Nagel 2004-5)

Awards:

Rousset combines meticulous fingerwork and attention to the music's intricacies with rhetorical gestures, balletic energy and a dramatic flair informed by his long experience directing French...

Christophe Rousset plays Louis Couperin

Christophe Rousset (harpsichord Louis Denis 1658 restored by Reinhard von Nagel 2004-5)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$18.75

320 kbps, MP3

$15.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Rousset combines meticulous fingerwork and attention to the music's intricacies with rhetorical gestures, balletic energy and a dramatic flair informed by his long experience directing French...

About

Christophe Rousset is one of the most brilliant harpsichordists of his generation, whose recordings have been hailed by the international press, including those of François Couperin for harmonia mundi. This is the first time he has recorded works by Louis Couperin. He preferred not to record the complete works, as he explains:

“For this recording, we have selected the very finest pieces by Louis Couperin. We ruled out the idea of performing all the pieces - that has already been done by some of our eminent colleagues. We did not want to have three Courantes in succession or a Chaconne and a Passacaille following each other in the same key, nor for the suites to be unnecessarily long, and lacking the coherence and pertinence that the form requires. Although the material available would have enabled us to put together several suites, we decided to present just one suite in F or in A. And generally we have followed the order of Parville rather than of Bauyn. Thus, I believe, the listener will be able to apprehend Louis Couperin at his most expressive, in the richness of his harmonies and rhetoric, and in the subtle contrasts that make him one of the most amazing precursors not only of his nephew François Couperin, le grand, but also of Jean-Baptiste Lully.”

Contents and tracklist

Prélude
Track length2:38
Allemande grave
Track length2:55
Courante
Track length1:02
Sarabande
Track length2:12
Branle de Basque
Track length0:34
Gigue
Track length1:26
Gaillarde
Track length1:39
Chaconne
Track length2:46
Tombeau de M. de Blancrocher
Track length8:08
Prélude
Track length3:39
Allemande
Track length4:24
Courante
Track length1:29
Sarabande
Track length2:18
Passacaille
Track length4:39
Prélude
Track length1:46
Allemande
Track length2:06
Courante
Track length1:24
Sarabande
Track length2:15
Passacaille
Track length5:13
Prélude
Track length1:11
Allemande la précieuse
Track length2:51
Courante
Track length1:42
Sarabande
Track length2:44
Gigue
Track length1:43
Chaconne la Bergeronnette
Track length2:00
Prélude
Track length5:31
Allemande
Track length3:21
Courante
Track length1:14
Sarabande
Track length3:46
Canaries
Track length0:58
Volte
Track length0:44
La Pastourelle
Track length0:48
Chaconne
Track length2:43
Prélude à l'imitation de Mr Froberger
Track length6:18
Allemande l'amiable
Track length3:02
Courante La Mignone
Track length1:19
Sarabande
Track length3:18
La Piémontoise
Track length1:33

Awards and reviews

  • BBC Music Magazine Awards
    2011
    Instrumental Finalist
  • BBC Music Magazine
    October 2010
    Instrumental Choice
  • Diapason d’Or de l’Année
    2010
    Winner - Musique Contemporaine

October 2010

Rousset combines meticulous fingerwork and attention to the music's intricacies with rhetorical gestures, balletic energy and a dramatic flair informed by his long experience directing French Baroque opera and ballet. This is playing of subtlety and refinement that underscores the meditative qualities of Couperin's persona.

22nd August 2010

Rousset, playing a restored 1658 Louis Denis instrument, goes to great lengths to clarify the elaborate decorations

October 2010

Overall, Rousset, without lacking the least gravity and poise, tends to be fleeter and zestier than his competition, surpassing all especially in the excitement of his 'chaconnes' and 'passacailles'. It is clear from this recording that Couperin's particular qualities make him a perfect subject for the fiery, rather showy and yet reflective Rousset. Highly recommended.

15th July 2010

His playing has a kind of courtly correctness, more rhythmically precise and less free-spirited than some interpreters of the keyboard music of the French baroque, but with an airy grave of its own. They are beautifully realised discs.

22nd August 2010

In this often introspective music by Louis Couperin, uncle of the famous François, Rousset's depth of expressivity and rhythmic confidence are as impressive as the brilliance of his articulation...Highlights include the bravura C-minor Gigue, and the sombre Tombeau and Pavane.
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