Münch in London
Paris Conservatoire Orchestra, Charles Münch
They are fascinating performances, notably the Beethoven, where the conductor's brilliant fast speeds and few repeats get through the work in about 22 minutes. The Saint Saens gives the impression...
Münch in London
Paris Conservatoire Orchestra, Charles Münch
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They are fascinating performances, notably the Beethoven, where the conductor's brilliant fast speeds and few repeats get through the work in about 22 minutes. The Saint Saens gives the impression...
About
This disc is as much about the art of balance engineer Kenneth E. Wilkinson as it is about the conducting style of Charles Munch. "Wilke" as he was known to his colleagues, came to Decca along with Chief Engineer Arthur Haddy when Decca purchased Crystalate Records in 1937. While Haddy concentrated on improving the technology of recording Wilkinson developed the art of placing microphones in a hall to enable the recording to have sufficient presence from the auditorium without overwhelming the orchestral sound. Charles Gerhardt, an RCA producer who often worked with Wilkinson, expressed the view that the Ravel released here for the first time on compact discs was the best recording of Daphnis et Chloe Suites ever made.
Recorded in 1946 and 1947Contents and tracklist
Awards and reviews
They are fascinating performances, notably the Beethoven, where the conductor's brilliant fast speeds and few repeats get through the work in about 22 minutes. The Saint Saens gives the impression of being recorded more distantly, yet the tone on theses 78s is at times very impressive.
