Schumann: Der Rose Pilgerfahrt, Op. 112
Anna Lucia Richter (Rose), Christoph Prégardien (narrator), Julian Prégardien (Max), Michael Dahmen (Gravedigger) & Michael Gees (piano)
Süddeutscher Kammerchor, Gerhard Jenemann
As the narrator, Christoph Prégardien (whose son Julian makes his mark in the small part of Max) finely balances simplicity and a Lieder singer's subtlety of inflection. Anna Lucia Richter exudes...
Schumann: Der Rose Pilgerfahrt, Op. 112
Anna Lucia Richter (Rose), Christoph Prégardien (narrator), Julian Prégardien (Max), Michael Dahmen (Gravedigger) & Michael Gees (piano)
Süddeutscher Kammerchor, Gerhard Jenemann
Purchase product
As the narrator, Christoph Prégardien (whose son Julian makes his mark in the small part of Max) finely balances simplicity and a Lieder singer's subtlety of inflection. Anna Lucia Richter exudes...
About
Schumann’s choral works are rarely performed and recorded. This fairy folk-tale was written in 1851 and is in the form of an oratorio where the soloists are more integrated into the fabric of the work. On this recording the singing is excellent throughout and Michael Gee’s fortepiano accompaniment enhances the performance.
Contents and tracklist
- Elisabeth Menke (soprano), Kathrin Arnold (soprano), Sibylla Müller (alto), Michael Gees (piano), Christoph Prégardien (tenor), Anna Lucia Richter (soprano), Elvira Bill (alto), Michael Dahmen (bass (vocal))
- Süddeutscher Kammerchor
- Gerhard Jenemann
- Recorded: 2010-04-01
- Anna Lucia Richter (soprano), Christoph Prégardien (tenor), Michael Dahmen (bass (vocal)), Michael Gees (piano), Kathrin Arnold (soprano), Elisabeth Menke (soprano), Sibylla Müller (alto), Thomas Schütz (bass (vocal)), Julian Prégardien (tenor)
- Süddeutscher Kammerchor
- Gerhard Jenemann
- Recorded: 2010-04-01
Awards and reviews
March 2011
As the narrator, Christoph Prégardien (whose son Julian makes his mark in the small part of Max) finely balances simplicity and a Lieder singer's subtlety of inflection. Anna Lucia Richter exudes virginal innocence as the Rose, an the other solos are decently taken by members of the tightly knit chorus.