Help
Skip to main content

Avison - Sonatas for Harpsichord

Gary Cooper (harpsichord), Pavlo Beznosiuk & Caroline Balding (violins) & Robin Michael (cello)

Avison Ensemble

Avison - Sonatas for Harpsichord
Within such simple forces, there is considerable invention...Recording is rather close, giving performers' rather than audience's perspective, but simulates the sense of 'private Amusement'...

Avison - Sonatas for Harpsichord

Gary Cooper (harpsichord), Pavlo Beznosiuk & Caroline Balding (violins) & Robin Michael (cello)

Avison Ensemble

Purchase product

2 CDs

$24.75

2 available: usually despatched in 3 - 4 working days

Download

From$20.00

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

$20.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Within such simple forces, there is considerable invention...Recording is rather close, giving performers' rather than audience's perspective, but simulates the sense of 'private Amusement'...

About

The release of this set of Sonatas sees the completion of the recording of all of Charles Avison’s orchestral and chamber works. All have received excellent critical acclaim. The Opus 5 Sonatas were written in 1756 and Opus 7 in 1760 and influences of Rameau and Corelli are evident, amongst others. It can be said that Avison’s sonatas are a true gem of eighteenth century music and firmly reinforce the claim that he was one of the most important native British composers in that century.

Comprised of some of Europe's leading musicians and soloists, the Avison Ensemble performs works from the baroque and early classical periods.

The Ensemble is unique in having its own composer, along with a substantial repertoire of his music, as yet unperformed in modern times. Miraculously they have added to this repertoire with the recent acquisition of two of Avison’s original workbooks, which contain many unpublished works by Avison and other 18th century composers.

The Ensemble have chosen to perform on period instruments in order to recreate as closely as possible the distinctive 'sound world' that Charles Avison would have known.

Contents and tracklist

I. Leggermente
Track length5:48
II. Con spirito
Track length3:18
III. Minuet: Affettuoso
Track length3:39
IV. Allegretto
Track length3:15
I. Con giubilo
Track length4:38
II. Con tenerezza
Track length3:54
I. Andante
Track length2:09
II. Aria: Allegro
Track length2:54
III. Adagio arpeggio ad libitum
Track length0:59
IV. Allegro
Track length4:13
I. Siciliana ma non troppo lento
Track length5:52
II. Aria: Spiritoso
Track length2:04
I. Aria: con affetto
Track length4:31
II. Allegro
Track length4:04
III. Andante
Track length2:02
IV. Giga: Contadina
Track length1:51
I. Allegro ma non presto
Track length4:14
II. Presto
Track length3:21
III. Giga: Tempo moderato
Track length2:37
I. Andante
Track length2:42
II. Presto
Track length4:38
I. Presto
Track length4:56
II. Aria: Tempo moderato
Track length3:19
I. Andante con affetto
Track length3:52
II. Giga: Allegro
Track length3:01
I. Andante
Track length3:45
II. Presto
Track length2:48
I. Allegro
Track length4:07
II. Interludio: Andante
Track length2:17
III. Presto
Track length4:11
I. Ciacone
Track length3:47
II. Presto
Track length3:08

Awards and reviews

August 2010

Within such simple forces, there is considerable invention...Recording is rather close, giving performers' rather than audience's perspective, but simulates the sense of 'private Amusement' which Avison claimed for these sonatas.

October 2010

it's an idiom with which the Avison Ensemble clearly feels totally at ease.These performances are notable for their wit, elegance and refinement, unpretentious and uncluttered by artificial nuance or superimposed gesture.
View download progress