Avison - Sonatas for Harpsichord
Gary Cooper (harpsichord), Pavlo Beznosiuk & Caroline Balding (violins) & Robin Michael (cello)
Avison Ensemble
Within such simple forces, there is considerable invention...Recording is rather close, giving performers' rather than audience's perspective, but simulates the sense of 'private Amusement'...
Avison - Sonatas for Harpsichord
Gary Cooper (harpsichord), Pavlo Beznosiuk & Caroline Balding (violins) & Robin Michael (cello)
Avison Ensemble
Purchase product
Within such simple forces, there is considerable invention...Recording is rather close, giving performers' rather than audience's perspective, but simulates the sense of 'private Amusement'...
About
The release of this set of Sonatas sees the completion of the recording of all of Charles Avison’s orchestral and chamber works. All have received excellent critical acclaim. The Opus 5 Sonatas were written in 1756 and Opus 7 in 1760 and influences of Rameau and Corelli are evident, amongst others. It can be said that Avison’s sonatas are a true gem of eighteenth century music and firmly reinforce the claim that he was one of the most important native British composers in that century.
Comprised of some of Europe's leading musicians and soloists, the Avison Ensemble performs works from the baroque and early classical periods.
The Ensemble is unique in having its own composer, along with a substantial repertoire of his music, as yet unperformed in modern times. Miraculously they have added to this repertoire with the recent acquisition of two of Avison’s original workbooks, which contain many unpublished works by Avison and other 18th century composers.
The Ensemble have chosen to perform on period instruments in order to recreate as closely as possible the distinctive 'sound world' that Charles Avison would have known.
Contents and tracklist
Awards and reviews
August 2010
Within such simple forces, there is considerable invention...Recording is rather close, giving performers' rather than audience's perspective, but simulates the sense of 'private Amusement' which Avison claimed for these sonatas.
October 2010
it's an idiom with which the Avison Ensemble clearly feels totally at ease.These performances are notable for their wit, elegance and refinement, unpretentious and uncluttered by artificial nuance or superimposed gesture.