For his third harpsichord recital in the ‘Cité de la Musique’ series, the remarkable French harpsichordist Christophe Rousset plays six of Froberger’s most authoritative suites on a legendary instrument considered a ‘national treasure’ by the French state.

Christopher Rousset’s interpretation of Froberger’s suites is all the more impressive and praiseworthy given Froberger’s insistence to have all his manuscripts destroyed after his death, claiming that no one else would be capable of playing his compositions. Froberger was highly sought-after, admired, and regarded as a model to be followed by his European contemporaries.

Christophe Rousset is one of the finest harpsichordists of his generation and a leader in the late 20th century revival of French Baroque music, acclaimed both in France and internationally. He has won critical accolades for his extraordinary command of the harpsichord repertory. Christophe Rousset’s recordings of the complete harpsichord works of François Couperin, Rameau, D’Anglebert and Forqueray and his regular incursions into the music of J.S Bach, are regarded as benchmarks.